Review / 200 Words Or Less
Katie Ellen
Still Life

Lauren Records (2018) Kristen Swanson

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in their simplistic style, Katie Ellen remains humble and raw throughout Still Life. “Lighthouse” sounds like poetry, even complete with a spoken-word clip in the middle of the song. Vocalist Anika Pyle places emphasis on even the simplest of words and it translates musically into a harmonious personal and emotional experience. “City/Country” has some of the most relatable lyrics and the way the music subtlety builds behind the vocals really allow both to shine. 

Title track “Still Life” sums up the record perfectly: “You can’t make love stay/Do your best to hold it in place.” The longest track “Adaptation of Para Todos” was a smart move—starting off with power-pop feels the song dives into instrumental bliss halfway through. And like the ending message in “Lighthouse (Reprise),” it just brings the record back where it all started; home. 

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

Related news

Katie Ellen EP + dates with Lemuria

Posted in Records on July 7, 2018

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more