Review / 200 Words Or Less
Katie Ellen
Still Life

Lauren Records (2018) Kristen Swanson

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in their simplistic style, Katie Ellen remains humble and raw throughout Still Life. “Lighthouse” sounds like poetry, even complete with a spoken-word clip in the middle of the song. Vocalist Anika Pyle places emphasis on even the simplest of words and it translates musically into a harmonious personal and emotional experience. “City/Country” has some of the most relatable lyrics and the way the music subtlety builds behind the vocals really allow both to shine. 

Title track “Still Life” sums up the record perfectly: “You can’t make love stay/Do your best to hold it in place.” The longest track “Adaptation of Para Todos” was a smart move—starting off with power-pop feels the song dives into instrumental bliss halfway through. And like the ending message in “Lighthouse (Reprise),” it just brings the record back where it all started; home. 

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

Related news

Katie Ellen EP + dates with Lemuria

Posted in Records on July 7, 2018

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more