Review
Justice
Escapades

Reflections/Youngblood (2007) Guido

Justice – Escapades cover artwork
Justice – Escapades — Reflections/Youngblood, 2007

A band of Belgian hardcore enthusiasts who, in the summer of 2003, had only one goal: to stir, shake and move the hardcore/punk scene. Justice, is their name and their latest album Escapades can only be described as powerful. If they were out to change the genre, they definitely succeeded with Escapades. Labeled as a hardcore band, I personally consider Justice to be beyond such a simple definition.

Escapades opens with the powerful "I Need Air," where guitarist "Stief to the Positief" (Stief to the Positive) is joined by Richie Birkenhead on vocals. The song starts of slow and soft, giving off a trippy vibe, before the sounds start to swell and the powerful vocals are unleashed upon the listener. "I Need Air" never becomes fast, but remains haunting and powerful.

"See Me Glow" continues the flow of the album, reflecting the band's barely controlled anger: guitar riffs and drums are pounded into your skull, while Stief's vocals penetrate every living cell of your body. "Don't Tell Anyone" became my personal favorite of Escapades. It musically steps away from any cliché you can imagine about hardcore. It's this song that can be used best to describe Escapades greatest strength: it's not bound to any clichés.

"Unsure," the fourth song on the album, is faster than the previous three, but appears to be held back. It's the perfect song to go full frontal and punk the listener away. It's a missed chance, but it maintains the structure of the album itself. A forgivable mistake, yet one that should be mentioned nevertheless.

From this point on Escapades starts to repeat itself, with similar song structures and instrumentals. Perhaps this is a possible flaw on the album, but it's something the listener should decide for him or herself. Personally, I'm torn. We're listening to hardcore here, a style that's not build upon silly musical technicalities and extremely complicated structures. Problem with Justice is that they do not feel like the average hardcore act. Then again, they aren't your average hardcore band. Justice is much more powerful and moving.

8.2 / 10Guido • May 7, 2007

Justice – Escapades cover artwork
Justice – Escapades — Reflections/Youngblood, 2007

Related news

SkyTigers proclaim …Injustice for All

Posted in Records on January 24, 2026

Regional Justice Center explores the penal system

Posted in Records on August 7, 2024

New from Blind Justice

Posted in Records on June 2, 2018

Recently-posted album reviews

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more

The Sleeveens

National Anthem
Goner (2026)

National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more