Review
Jenny Hval
Blood Bitch

Sacred Bones (2016) Spyros Stasis

Jenny Hval – Blood Bitch cover artwork
Jenny Hval – Blood Bitch — Sacred Bones, 2016

Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. The quality of her work, and the scope of her vision continued to take form through a series of excellent records in Innocence is Kinky and Apocalypse, girl and is now reaching a peak with her newest album. Blood Bitch marks Hval's most personal record, as she herself states, featuring themes of blood and vampirism, an aspect that becomes obvious even from the cover of the work. This investigation of blood is carried out in a very cinematic and lifelike manner, where the elements of Hval's unique sound brew transverse the sonic realm and become more realistic.

It is a record set into an art pop world, with experimental and avantgarde notions coming into play. However, there is a strong push towards a dream pop scenery, something that closely brings to mind Cocteau Twins in terms of vibe and style. There is a certain serenity, a feeling of peace that comes into light with “Secret Touch” or “Conceptual Romance,” crafting an ethereal atmosphere out of the pop realm. It comes nicely into play with the electronic leanings that are apparent in the work, at times taking on a late '70s and early '80s approach, constructing a terrific illusion, or acquiring tribal-esque aesthetics, as in “The Plague,” moving closer to the experimental realm.

There is a push towards the more extreme and experimental side, where the parts become astoundingly brutal. “The Plague” features moments when effects run berserk and noise is piercing through the wall of sound, before drones set in and wash all this away. Hval mentions that this is her first record where she is reconnecting with the goth and metal scene, and remembering the effect of the atmosphere in the records of Norwegian black metal scene. This is highlighted in the manner the record begins with “Ritual Awakening” carrying us across in subtle drones, while the melodic lines of “Lorna” definitely feature some of the hellish aspect of the melodic side of black metal.

The fictitious story that Blood Bitch follows is key in enhancing the album's effect. Heavily influenced by horror and exploitation films from the '70s, something apparent from the ambiance of the record, and the perspective that Hval's lyrics take, it terrifically unfolds through each track. And this is just the tip of the iceberg, with Hval using sample that make meta-reference of the album itself, and dealing with complex, personal issues, marking Blood Bitch as an intriguing psychological trip through the composer's mind.

Jenny Hval – Blood Bitch cover artwork
Jenny Hval – Blood Bitch — Sacred Bones, 2016

Related news

Jenny Hval joins Sacred Bones

Posted in Labels on January 20, 2015

Jenny Hval dates with Swans and Mark McGuire

Posted in Tours on February 15, 2014

Recently-posted album reviews

Faulty Cognitions

They Promised Us Heaven
Dead Broke Records (2025)

On their debut, Somehow, We Are Here, Faulty Cognitions made their statement. This wasn't a garage-punk band in the style of the members' previous bands (Low Culture and Shang-A-Lang, among others). It's a guitar-first rock indie-punk band schooled by the college rock of the 1980s. This time around the transition has been so seamless that maybe the debut was a … Read more

The Penske File

Reprieve
Gunner Records, Stomp Records (2025)

I used to dislike punk music where people sing. And, well, I'm still not super fond of it but there is an exception to every rule. The Penske File are one of those exceptions and maybe it's because while they have a singer (as compared to a "vocalist"), it's still authentic and conveys that everyperson vibe I seek in the … Read more

Menace Ruine

The Color of the Grave Is Green
Union Finale Records (2025)

One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die is Cast. In the coming years, they would expand this … Read more