Review
Jeff The Brotherhood
We Are The Champions

Infinity Cat (2011) Aaron H

Jeff The Brotherhood – We Are The Champions cover artwork
Jeff The Brotherhood – We Are The Champions — Infinity Cat, 2011

Have you ever wondered what Weezer would sound like had they turned into a psychedelic garage band? Well, look no further because the Nashville duo, JEFF the Brotherhood, do a fine job of showcasing that concept. This band of brothers have been rocking the Nashville music scene for the past decade and finally began to get some exposure with 2009’s well-received, Heavy Days. The band is back, louder and catchier, with their sixth full length, We Are The Champions.

The Brotherhood open the album with the mid-tempo number, “Hey Friend.” It starts off with a classic-psyche rock intro before it all comes to a halt, and it becomes more focused. Jake Orrall takes the lead that’s so reminiscent of Weezer, it’s hard to ignore. The band then kicks into “Cool Out,” which is a fast paced garage-rock song with a harmonious bridge and a furious outro. They slow things back down on “Bummer,” but make up for the tempo change with a catchy melody. “Shredder” gets back to rocking out with a more constructed riff than heard on the previous tracks. JEFF diverge from the garage rock influence with “Diamond Way.” They turn off the distortion and go for a post-punk sound while incorporating poppy melodies.

The midway point brings us to one of the better tracks, “Ripper,” and begins the better half of the album. Up to this point, the vocals have been relatively monotonous. Fortunately, Jake changes it up a little, taking things higher and aggressive. However, it’s pretty reserved when it comes to the lyrics. The only lyric in the song is, “I don’t wanna--I don’t wanna, don’t wanna go! No, no, no,” which is repeated in each verse. Next up is a personal favorite, “Mellow Out.” It’s nothing groundbreaking, but it has a catchy hook that I can’t resist. “Endless Fire” serves as a sort of interlude—opening with a calm organ intro before bringing back the clean guitar. It’s reminds me a little of “Only in Dreams” from Weezer’s Blue Album. After some more catchy choruses in “Stay Out Late,” we reach “Health and Strength,” which breaks away from the rest of the record--featuring an acoustic guitar, sitar, and tambourine. It’s different, but it doesn’t struggle trying to fit in. The Brotherhood closes the album with “Wastoid Girl.” It’s a mid-tempo closer that certainly has that “ending” feel to it, but there’s nothing very special about it.

I know I probably referenced Weezer too many times--and you’re bound to hear comparisons from others, but you can’t help that. Some people might even be glad to hear they have a new outlet for that early sound. We Are The Champions may not have the most complex song writing and the lyrics are pretty straightforward, but JEFF the Brotherhood have given us the perfect soundtrack to a Summer party.

7.8 / 10Aaron H • August 25, 2011

Jeff The Brotherhood – We Are The Champions cover artwork
Jeff The Brotherhood – We Are The Champions — Infinity Cat, 2011

Related features

JEFF The Brotherhood

One Question Interviews • December 25, 2014

Related news

JEFF the Brotherhood dropped by WBR

Posted in Bands on February 17, 2015

New album from JEFF the Brotherhood

Posted in Records on January 23, 2015

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more