Review
Jack's Mannequin
The Glass Passenger

Sire (2008) Graham Isador

Jack's Mannequin – The Glass Passenger cover artwork
Jack's Mannequin – The Glass Passenger — Sire, 2008

A lot of artists resist fame. I've done interviews with bands for nearly five years now and have heard countless times from both nameless and recognizable acts that there were never any aspirations for a hit radio single or a gold album. For these people it seemed when something reached a point of popularity it lost authenticity. By acknowledging the idea of notoriety as an accident they were able to maintain a personal concept of credibility. The flip side to that is the "rock stars" running about proclaiming their song's importance to society at large. I've talked to these people too, and while I admire their confidence the pretensions surrounding the music tends to wear thin. The best songwriters, not my favorite songwriters, have something that exists outside of both these ideas. They create music that personally resonates by touching on universality.

Andrew McMahon under his Jack's Mannequin moniker is writing tracks to tap into a larger audience. The songwriter, known best for his time as the front man of the emo-charged indie pop band Something Corporate, has created an interesting balance with his sophomore solo effort. The Glass Passenger is a record asking for an audience. It doesn't jam anything down your throat, but it offers up big ideas wrapped in sentiments and shared experience. Each song is something personal, but recognizable in the sense that we've all been there before. It's what a pop song should be.

Though the pieces are there, the execution of The Glass Passenger's piano driven tracks are hit and miss. Unapologetically switching from upbeat sing-alongs to lullaby ballads, McMahon sometimes gets lost in his own ambition. The album lacks the direction of its predecessor Everything in Transit, but comes across with more mature content. Where Everything in Transit is an album working out issues, The Glass Passenger is examining a sense of self. The result of this is a delightful balance of sappy and sincere.

On the album's single "The Resolution" the song begins with the lines "There's a lot that I don't know. There's a lot that I'm still learning." The lyrics grasp the bigger picture of Andrew McMahon, and The Glass Passenger: potential that hints at something much bigger.

Jack's Mannequin – The Glass Passenger cover artwork
Jack's Mannequin – The Glass Passenger — Sire, 2008

Related features

Related news

Eagles Of Death Metal Video

Posted in Bands on June 23, 2004

Recently-posted album reviews

Prayer Group

Strawberry
Reptilian Records (2025)

Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more