Review
Ivanhoe
Systematrix

Massacre Records (2013) Sarah

Ivanhoe – Systematrix cover artwork
Ivanhoe – Systematrix — Massacre Records, 2013

You'd think a band named after Sir Walter Scott's most famous work would tend towards the contemplative (or, at least, the historically literate). But judging by German band Ivanhoe's latest album, that characterization falls several yards beyond the mark. The truth is, there's very little intellectual merit, or even any redeeming value, to be found in Systematrix.

The largest issue with this album is that it sticks so close to prog metal tropes that it really doesn't have anything original to say. The compositions sound entirely too safe to be of anything other than passing interest, and even then, listening to riff after recycled riff can become numbing in its lack of substance. In all honesty, it's also a bit of a misnomer to call it progressive music--the album sounds like a bland regurgitation of heavy metal tracks with the occasional odd time signature thrown in, which supposedly is enough for inclusion in the genre. And while it's not an imperative that every band should seek to push the boundaries of their genre, the overwhelming dearth of progress or risk in this music only serves to heighten awareness of uninspired it is. There just isn't anything to find interesting about this album.

To make matters worse, the mixing gives absolutely no thought to context whatsoever. No matter what is going on--anthemic choruses, difficult buildup, or even passable soloing--it all gets mixed with the same treatment, resulting in an album that's dull, staid, and lacking in any kind of expressive power. Musical quality aside, the entire work takes a dip in quality from the pervasive feeling of malaise that coats even the most euphorically composed of its passages. Between the terrible mixing and the lack of variety in the songwriting, the album becomes this muddled afterimage of what could've been an enjoyable work.

Listening to the album is an exercise in patience, and one whose only payoff is a dull husk of what could've been. Ivanhoe have a few excellent ideas, but between the quantity of chaff and the pallid sound, Systematrix is far from what a band over twenty years old should be capable of. I am searching for something about this album to make this conclusion a bit less mean-spirited, but I'm coming up empty. I can honestly say that listening to this album accomplished nothing for me, intellectually nor emotionally, and I think it's a clear indicator of quality if the best thing I can say about an album is that it didn't cause me physical pain.

3.0 / 10Sarah • July 15, 2013

Ivanhoe – Systematrix cover artwork
Ivanhoe – Systematrix — Massacre Records, 2013

Advertisement

DCxPC 2025

Recently-posted album reviews

Detention

Dead Rock ‘N’ Rollers
Left For Dead Records (2024)

Life ain’t so easy in the detention home- Dead Boys. Emerging from the underbelly of Jersey, made up primarily of three brethren. Raised on rock and roll and sipping from the chalice of early punk rock stalwarts like Da Bruddahs from Queens, Hey Ho! and the Pistoleros of Sexual Nature screaming banshees from across from the large pond. Thus forging … Read more

Nightfreak

Nightfreak
Big Neck Records (2024)

Semi-feral punk outfit NightFreak are back with a self-titled LP filled with breakneck riffs and 70s metal bombast. The Chicago group haven’t slowed down since 2022’s Speed Trials but they have filled out. NightFreak the album is lousy with warm back beats and melodic guitars; although, hardcore vocals and tight drums still reign supreme. Album opener “Blackout” is dead serious … Read more

Death By Unga Bunga

Raw Muscle Power
Jansen Records (2025)

I’m pretty sure I became aware of Mike Krol when The Whiffs posted about playing some shows with him. Krol is a bit of an anomaly. Not only is he on Merge and collaborates with Mac Superchunk- a dream scenario imo- but he’s also been elusive of my fan boy attempts at cold dm’ing him about stuff even tho we … Read more