Review / 200 Words Or Less
Huraña
Brujas, Cholas e Inventadas

Iron Lung (2020) Loren

Huraña – Brujas, Cholas e Inventadas cover artwork
Huraña – Brujas, Cholas e Inventadas — Iron Lung, 2020

Brujas, Cholas e Inventadas is a fast-paced 7” with 7 songs in maybe 10 minutes. It’s concise but probably the right dose for this style of lo-fi punk by Huraña, a four-piece from Chiapas, Mexico.

With Spanish lyrics and muddy production, the EP is all heart and energy. It’s fierce without being aggressive. It’s melodic without being singalong. It’s potent without being predictable. And it’s also hard to pin down, style-wise. There are late ‘70s/early ‘80s shades and elements of hardcore, crust, and peace punk but it doesn’t really fit any of those categories precisely. It’s always pounding and driving, with energy for a circle pit, for pumping fists in the air, or just for nodding your head and tapping your toe in solitude.

The guitars are the driving force on the record, with echo-effect vocals that give depth and fit the fuzzed-out recording. Behind it all, the rhythm section lays a pummeling foundation. It’s DIY punk, steeped in the classics but delivering its own, unique flavor.

It also features a Vulpress cover (vinyl version only).

7.0 / 10Loren • November 3, 2020

Huraña – Brujas, Cholas e Inventadas cover artwork
Huraña – Brujas, Cholas e Inventadas — Iron Lung, 2020

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more