Review / 200 Words Or Less
Hope Lane is a Dead End
Illuminate

Independent (2009) Michael

Hope Lane is a Dead End – Illuminate cover artwork
Hope Lane is a Dead End – Illuminate — Independent, 2009

Metalcore has been an interesting genre over the years. Initially bands like Integrity, Earth Crisis, and Unbroken were labeled as metalcore for their metal influences in the hardcore sound. Since then, bands like Cave In, Botch, and Poison the Well have been labeled as such, all while developing their own styles within those bounds. Additionally the term has been bastardized as of late by bands like The Devil Wears Prada and their ilk.

Hope Lane is a Dead End is a metalcore outfit based out of Massachusetts. They claim influence from the likes of Cave In, Botch, and Shai Hulud. And while I hear very faint inklings of those bands in their sound, they are far from any of those artists. The band makes good use of chug-chug riffs and frequently uses breakdowns throughout the songs. The vocals are the overused cookie-monster growls with the occasional "clean" melodies. Illuminate falls someplace between the worlds of Killswitch Engage and Poison the Well's early releases. There isn't much new metalcore that I enjoy, the last new band I enjoyed was Romans. Hope Lane is a Dead End isn't bad, it's just not my thing.

5.0 / 10Michael • May 27, 2009

Hope Lane is a Dead End – Illuminate cover artwork
Hope Lane is a Dead End – Illuminate — Independent, 2009

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more