Review
Hank Jones
Saturdays of Thunder

Undecided (2005) Zed

Hank Jones – Saturdays of Thunder cover artwork
Hank Jones – Saturdays of Thunder — Undecided, 2005

An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane hardcore.

Imagine if The Suicide File lacked energy and well thought out lyrics. That's essentially Hank Jones. I see Hank Jones at the party sporting a wild/funny T-shirt who, when approached, has nothing to say. But out of nowhere Hank Jones will make a fart joke that everyone will cherish at a later time. Oh, Hank Jones! The style of hardcore that Hank Jones plays, as the press release points out, isn't very prevalent. It's cool they are trying to do their own thing, but for now, it isn't working. It sounds like a hardcore band trying to play rock music in a bar. Mike Tortis' vocals for the most part sound like a dull version of Aaron Bedard from Bane. For some reason in the song "Failed Masterpiece," the second to last track, Torti sounds much more intense. I don't know why the vocals sound different on this track, odd.

The lyrics cover topics such as not bullying newcomers and friendships lost. Nothing you won't find in another hardcore album. Other bands can pull off doing cliché topics with their lyrics because of the way they write about them. Hank Jones isn't able to do this, with lyrics that are kind of just there. "Is it such a hard thing to do in our lives to not cast down the people that we dislike, there's a bunch of hypocrisy in this scene where people praise this false equality," from the song "Teddy Roosevelt" reads more like lecture than lyrics. The lyrics as a whole remind me of that excerpt. They are just kind of there.

It's always fun when bands throw little parts into songs to surprise and keep the listener on their toes. For instance, in "Get Pissed" a few seconds of ska make a brief appearance. It would be nice if more songs on Saturday of Thunder did this. Instead we get thirteen predictable songs. The final song on the album, "Pizza Party!" is fun. It's fast. The lyrics consist of the word "pizza" fourteen times and ends with the word "cowabunga." I'm not sure what to make of these two lines though, "And when the clock strikes ten our guests will have to leave/I hope they had a blast and they didn't catch a disease." Wild? Random?? Who knows, LOL. No other song on Saturdays of Thunder is like "Pizza Party!" According to the press release, "Hilarious video for album track 'Pizza Party!' already receiving airplay." It would make sense to draw people in with a song that sounds nothing like the rest. A whole lot of sense.

Twenty something years after its inception, it would seem pretty hard to fuck up writing hardcore music. Somehow Hank Jones does this with Saturday of Thunder. On a positive note, their slower rocking style is a million times better than the formulaic-hyper-breakdown style of hardcore. But then again, what isn't?

5.6 / 10Zed • May 11, 2005

Hank Jones – Saturdays of Thunder cover artwork
Hank Jones – Saturdays of Thunder — Undecided, 2005

Related news

Hank Jones Streaming Entire 7"

Posted in MP3s on December 11, 2007

Hank Jones / The Tradition Mini-Tour

Posted in Tours on December 13, 2006

New Hank Jones Song Online

Posted in MP3s on April 10, 2006

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more