Review / 200 Words Or Less
Grease Thieves
The World This Hour

Independent (2015) Andy Armageddon

Grease Thieves – The World This Hour cover artwork
Grease Thieves – The World This Hour — Independent, 2015

Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim Armstrong, and one can almost hear the saliva flinging around on the four songs featured on the group’s 2015 The World This Hour - about as enthusiastic and fun a debut EP as one could hope for. Unfortunate though it may be that opener “99 Problems” isn’t a re-imagining of the Jay-Z hit, it still rips forward on the back of a bouncy bassline and throaty vocals, with downright hooky guitar thrown in for good measure. The infectious energy carries over into the similar rollicking “Threw It Away,” which manages a few rhythmic change-ups and even a solo break in its minute and a half duration, “How Many Days,” wrapping things up in a lean and mean 56 seconds, and “No Tomorrow,” a closer that alternates between rowdy verses and a nostalgia-inducing guitar interlude. They may not be doing anything that hasn’t been done before, but Grease Thieves come across like a more cheerful but still snotty, alternate universe version of The Dwarves, and in doing that, they simply can’t be all bad.

Grease Thieves – The World This Hour cover artwork
Grease Thieves – The World This Hour — Independent, 2015

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more