Review
Gone is Gone
Echolocation

Rise (2017) Kevin Fitzpatrick

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Mastodon are no stranger to side projects. Hell, guitarist/vocalist Brent Hinds has released two in the last year alone, with his new Legend of the Seagullmen album due in September. Brann Dailor released Arcadea, also on this years’ top 25 list, and Bill Kelliher doesn’t need your goddamn validation!

Gone is Gone is the amalgamation of Mastodon bassist/vocalist Troy Sanders, guitarist Troy Van Leeuwen of Queens of the Stone Age, drummer Tony Hajjar of At the Drive-In and multi-instrumentalist Mike Zarin. 

On paper, it shouldn’t work. Vastly different backgrounds and styles more often than not create a cacophony rather than a tranquility. But because Echolocation is very much the latter, is a testament to just how talented and multi-faceted the musicians involved really are. 

Opening track “Sentient” serves almost as an Isis-esque prelude to the album to come. “Gift” follows and is much more indicative of Echolocation’s groove-laden style, invoking whispers of Alice In Chains and Deftones. “Slow Awakening” is possibly Sanders’ finest vocal performance to date - sounding like an even more ominous Peter Steele. These touchstones are merely to give you an idea of what to expect. The thing is, once the listener tries to hold on that idea of familiarity, they realize they’re grasping at smoke and are left with something much more tangible and wholly unique.

What’s interesting is the journey each member takes with every passing tune. Where they each start at the beginning of a song, is not where they end up by thelat note. Take “Pawns” for example. It starts out very clearly with Sanders and Hajjar in the drivers’ seat, but by the time it fades out, it’s clearly Van Leeuwen driving the bus and we were none the wiser. 

Van Leeuwen is really the beautiful surprise in all of this. His guitar work has become so synonymous with the QOTSA sound, you forget how heterogeneous his talent really is. Van Leeuwen also earns the distinction of this reviewers’ 2017 Top 25 hat-trick award - making appearances on Echolocation, Chelsea Wolfe’s Hiss Spun and Queens of the Stone Age’s Villains.

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Related news

Gone Is Gone forms (ATDI, QOTSA, Mastodon)

Posted in Bands on April 16, 2016

Advertisement

DCxPC 2025

Recently-posted album reviews

Pinhead Gunpowder

Unt
1-2-3-4 Go! Records (2024)

Pinhead Gunpowder began in 1990, recording a 7” in 1991. The band last released a 7” in 2008… Until late 2024 when the band returned with the 14-song full-length Unt. So congratulations if you had “we get a new Pinhead Gunpowder record before a new D4 record on your bingo card. (These two bands released a split 7” in 2000 … Read more

The Cure

Songs of a Lost World
Capitol, Fiction, Lost Music, Polydor/Universal (2024)

It's been sixteen years since The Cure released their last album. I don't know if anyone really knew what to expect, but it's one of the most influential bands in history so expectations were high. The Verdict? Those expectations were met. It'd be silly to say Songs of a Lost World is a "return to form" as the band and … Read more

City Mouse

So Far Out
Brassneck Records, It's Alive (2024)

There are few bands that hit with the mix of raw emotion and musical talent as a live City Mouse show. There are even fewer bands that can capture that live feeling on a record. It’s been a long 7 years since Get Right, but So Far Out keeps it moving as if no time has passed. Of course, the … Read more