Review
Go it Alone / Blue Monday
Split

Rivalry (2006) Michael

Go it Alone / Blue Monday – Split cover artwork
Go it Alone / Blue Monday – Split — Rivalry, 2006

I know very little of Vancouver, British Columbia other than the fact that the bulk of X-Files was filmed there and that it has the nickname of "Rain City." I may not be well versed in Canadian culture (everything I know was learned from repeated screenings of Strange Brew), but I do know that Vancouver is home to some stellar punk and hardcore bands. Two of the most promising are showcased here: Go it Alone and Blue Monday.

Go it Alone kick things off with the intensity that made their full-length, The Only Blood Between Us, so great. The songs "Ovaltine" and "West Boulevard" are perfect songs to get the blood pumping. They're fast-paced hardcore drawing influence from youth-crew, but with an extra edge. Go it Alone is sure to make use of the occasional mid-90's breakdown and incorporate a good amount of melodic riffing throughout these songs. Vocally, Mark Palm has a gruff yelled delivery and when he yells, the words come out with great force. If you're into melodic hardcore such as Stay Gold and Lifetime, you'd enjoy this band quite a bit.

On the backend of this split we have Blue Monday, who last year released a LP on Bridge Nine Records. That album was slightly schizophrenic in that it contained both melodic hardcore moments as well as heavier in-your-face ones. Things aren't any different here. While "Maplewood" leans towards the melodic direction, "Cathedral Square" is a bit more frenzied and aggressive. It seems like Blue Monday is stuck between two loves and can't decide which direction to go. For the purpose of this split, I would have liked the band to go in the heavier direction for variety's sake.

In addition to original material, each band has contributed a Reserve 34 cover. They were a Vancouver band that was around in the 90's and had a couple of 7" releases and a full length. Unfortunately, I have never heard a note of Reserve 34, so it's hard to compare the originals to these covers. I will say that each band does make their choice of cover fit in with their respective sound, so it is my guess that the tree doesn't grow far from where the apple fell.

As a whole this is a short and sweet split release from two bands that are on the brink of breaking out. I do enjoy the Go it Alone side more and feel that their next release is going to be a huge one for them. Blue Monday, on the other hand, performed well but I think their heavier songs are better and would like to hear more of that. As for Reserve 34, if I come across any of their releases I'd probably pick them up, but you won't find me hunting down their test presses on eBay any time soon.

7.5 / 10Michael • April 11, 2006

Go it Alone / Blue Monday – Split cover artwork
Go it Alone / Blue Monday – Split — Rivalry, 2006

Recently-posted album reviews

The Flyboys

Complete Flyboys 1979-1980
Frontiers Records (2026)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

Ultrabomb

The Bridges That We Burn
DC-Jam Records, Virgin (2026)

Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more

Sweat

Tear it on Down
Vitriol (2026)

Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more