Review
For.The.Win.
The Black & The Blue

Asian Man/Solidarity (2009) Corey S.

For.The.Win. – The Black & The Blue cover artwork
For.The.Win. – The Black & The Blue — Asian Man/Solidarity, 2009

The Bay Area has always been known for producing some great punk acts. One up-and-coming band is the newest addition to the Asian Man family, For.The.Win. This three-piece play a pretty solid mixture of melodic punk and positive hardcore on their debut album, The Black & The Blue. What we have here is about twenty minutes of sometimes hardcore, sometimes pop-punk, and full-time positive lyrics.

There are two sides to this band, there's the melodic punk side of the band, which is driven by endless hooks, melodic choruses, and gang vocals. And then there's the rougher, more hardcore side of the band that has more of an in-your-face sound. The catchier side of the band is showcased on songs like the fantastic opener "Let it Begin" which is driven by it's uplifting chorus of "Watch the revolution begin, I hope it never ends!" The track that follows it, "Another Day," does a good job of this as well only the tempo is a bit faster and it relies more on gang vocals and the harmonies in the chorus. "I'm An Outsider" could have the potential to be a radio-hit if the vocals were less gruff, but it's great the way it is and it's one of the best tracks on the album for sure. For.The.Win. saves the best track for last with "Die Young," it begins with an acoustic guitar intro and then evolves into a Bouncing Souls style punk song.

Unfortunately, the band's more aggressive side is a lot more forgettable. Most of the rougher songs fall under two minutes and don't' have anything that's entirely memorable, but they're fun while they last. There's also a few instances of sloppy musicianship like the buzzing riff in "Choke" and the obnoxious pounding snare drum that never goes away in the fifty-nine second jam "Attack." These shorter songs aren't bad but they just don't leave an impression like the catchier songs do. I feel that they sound like a more coherent unit when making the gritty pop-punk songs rather than the minute long headbangers.

The whole "posi-core" genre isn't something that suits well with a lot of people but For.The.Win do a good job at delivering a positive message without coming off as terribly preachy. It's one of those records that makes you feel a little better if you sit down and read the lyrics. The band's powerful punk sound make this an easy listen as well.

The Black & The Blue has it's standout moments but it's a little too short to be considered anything noteworthy. Lasting a little under twenty minutes, this record goes by quickly with a few songs leaving an impression which, for the most part are the longer, more structured songs. With some better production and a more focused approach, For.The.Win's. next album could really leave a mark.

7.6 / 10Corey S. • September 21, 2009

For.The.Win. – The Black & The Blue cover artwork
For.The.Win. – The Black & The Blue — Asian Man/Solidarity, 2009

Recently-posted album reviews

Silver Proof

Even If It Hurts
Independent (2026)

Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more

Lice (Aesop Rock & Homeboy Sandman)

Vol. 4: Miami Lice
Rhymesayers (2026)

This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as … Read more

Various Artists

There Is No Sun - A Tribute To Jay Reatard
Sonic Church (2026)

The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier budget-punk act of his namesake, Reatards, his synth-punk projects Lost Sounds and Angry Angles, or his solo material as Jay Reatard, Jimmy Lee Lindsey Jr. was an incredible songwriter. Those aforementioned bands are just a smattering of units he’s been … Read more