Review
Forgotten Tomb
...and Don't Deliver Us from Evil

Agonia (2012) Jon E.

Forgotten Tomb – ...and Don't Deliver Us from Evil cover artwork
Forgotten Tomb – ...and Don't Deliver Us from Evil — Agonia, 2012

The Italian boys of Forgotten Tomb are certainly not new kids to the black metal scene. The band, going strong since the turn of the century, has made a name by building its own little corner in the depressive black metal genre. With each record the band allows their emotions to show through a bit more and, in turn, it seems to allow more room for traditional melody lines. They have returned with their most recent release after probably one of the shorter breaks between full-lengths (nearly 6 months), managing to release both a split and an EP in that period. 

The band plays with melodic structures within each song, starting off true to form. The opener "Nullifying Tomorrow" starts all blast beats and screaming before making way for a melodic lead that eventually takes over a good portion of the song. This manages to give way to a calm acoustic part before going back into the song. The track contains more than a few parts that all musically seem to link to an idea of being more of a normal rock band while the vocals remain evil as usual. At some points throughout the album this idea rears its head and can feel at once great but at times like a horrible misstep. 

The production is clean and clear without a speck of dust on it, which does quite a bit to speak of how seriously the band take their musicianship as opposed to worrying about kvlt appeal. For a band of their style it would be wasted effort for them to cloud their music in an extra layer of lo-fidelity grime. Each guitar line can be heard separately and with great clarity which makes for a pleasant listen when then tempos shift while an acoustic piece remains lingering behind. 

While the band overall have managed to set upon their path and make their name, I remain torn. While the band is quite adept at playing each style, there remain points in their songs where they don't seem entirely certain which way it is going. Sometimes the band allows momentary reflection or calm but never lingers on it long enough to truly let it build , rather they tear it away quickly so as not scare any of the grimness away. So in the end we get an above average band playing some songs that are great and then some parts of songs that are great while inserting parts that are just ok. Simply put this album is ok.

7.0 / 10Jon E. • June 4, 2013

Forgotten Tomb – ...and Don't Deliver Us from Evil cover artwork
Forgotten Tomb – ...and Don't Deliver Us from Evil — Agonia, 2012

Related news

Free live Forgotten Tomb record

Posted in Bands on May 3, 2014

Forgotten Tomb's Vol. 5 to see vinyl release

Posted in Records on August 13, 2013

Enthroned and Forgotten Tomb European tour

Posted in Tours on November 21, 2012

Recently-posted album reviews

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more