Review
Forge Of Clouds
Self Titled

Independent (2011) Sarah

Forge Of Clouds – Self Titled cover artwork
Forge Of Clouds – Self Titled — Independent, 2011

I'd like to invite you to look at the cover art of Forge of Clouds for just a moment. This is one of the few times I've ever looked at a cover for an album and said to myself “Yes, this is exactly what this music sounds like.” Every detail of this Polish quartet's music is captured in this image—the heavy sludge, the atmospheric droning, the dark ambiance...this image perfectly conjures up the ferocity of Remission-era Mastodon with the songwriting sensibility of Isis during Oceanic.

In fact, one of the great strengths of this album is the band's obvious gift with writing interesting and enjoyable riffs and melodies. A lot of the tracks on this album are delightfully above average. “Queen on the Garbage Throne,” “Blind Run,” and “Shame” are all exemplary pieces of sludge metal. Even the weaker tracks on the album, like “Boot,” “151,” or “Epinephrine,” have redemptive moments that make them worth multiple listens. This album's chaff is better than most other bands' lead singles.

One thing that does irk me about this album is the treatment of the drum mix. All of the drums, particularly the snare, sound far away and removed from the recording. It sounds like, while the band was recording, the drums were playing in the next room over. While it is a legitimate stylistic choice, I can't say it works particularly effectively on this album. It even creeps into the lead guitars at times, causing an odd aural distortion that is difficult to mentally reconcile. You may find it atmospheric; I personally find it dreadfully annoying and feel that it diminishes the experience.

Somewhat sadly, the music itself isn't terribly original. This is all music we've heard before from the likes of Baroness, or Cult of Luna, or The Ocean Collective. While Forge of Clouds certainly perform capably and above the norm, they aren't exactly pushing any boundaries or thinking far outside the box. It's well-performed and recorded music, but it's not groundbreaking.

I'll happily admit: Forge of Clouds are a cut above a lot of the sludge metal we hear these days. Taking into account that this is a debut showing from an unsigned band, and that it is still available for free download, this album is a must-have for fans of sludge and post-metal. It doesn't approach the classics, but it is still a noticeably above-average.

6.0 / 10Sarah • November 14, 2011

Forge Of Clouds – Self Titled cover artwork
Forge Of Clouds – Self Titled — Independent, 2011

Recently-posted album reviews

Bitter Branches

Let's Give The Land Back To The Animals
Equal Vision (2026)

Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more

Top Jimmy & The Rhythm Pigs

Pigus Drunkus Maximus (Reissue)
Blind Owl Records (2026)

If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more