Review / 200 Words Or Less
End of All
Places

Halo of Flies (2009) Michael

End of All – Places cover artwork
End of All – Places — Halo of Flies, 2009

Sweden is a country known for its thrash and death metal bands. End of All's name had me thinking of End This Day. And since they are from Sweden I figured they'd be a Euro-thrash influenced metalcore band. But they are not, thankfully.

"Into the Abyss" opens with a slow churning building riffing before it launches into a ferocious metal driven assault reminiscent of Disfear and Trap Them. This song blew me away; I loved every second of it. The b-side of this 7" hosts "On that Hill," taking the metal approach even further, making use of thick basslines and a rumbling drumming to match the killer riff-fest. The vocal trade-offs between low growling and higher screams are on the Martyr AD tip. "The Camp" wraps up the 7" with a stunning display of melodic death metal meets hardcore, hinting at influence from their homeland heroes in At the Gates.

Places is an excellent slab of wax. I enjoyed it so much I sought out the band's previous LP. You should follow suit and pick up both.

8.5 / 10Michael • December 10, 2009

End of All – Places cover artwork
End of All – Places — Halo of Flies, 2009

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more