Review / 200 Words Or Less
Dust is Everywhere
Attics and Catacombs

Creeping Vine (2008) Kevin Fitzpatrick

Dust is Everywhere – Attics and Catacombs cover artwork
Dust is Everywhere – Attics and Catacombs — Creeping Vine, 2008

Dust is Everywhere. D.I.E. Get it?

[cough] Anyway

it could be worse. Ask their labelmates, Rumplestiltskin Grinder. D.I.E. is a band in the black metal ilk, somewhat on the amateurish side, Attics and Catacombs provides a look into the deep, dark recesses of um, Havertown, Pennsylvania - pop: 36,711. Featuring the musical stylings of "Dust" on "Chains, Shackles and Screams" and "Old" on "Bones".

I'm going to take a shot in the dark and guess that these two guys got their asses kicked in school on a daily basis and this album is their revenge. So, name aside and cartoonish (buffoonish) image aside, Attics and Catacombs is a surprisingly good album. The music is strong, sharp blackness and the vocals are suitably hellish and reminiscent of Emperor's Ihsahn. This adds up to an unfortunate situation because the black metal purists don't have a tolerance for their music being played with less-than-full-sincerity.

D.I.E. might be sincere but the name, the song titles like "Horrid Places" and "Born in the Basement" are going to make it difficult for anyone to take them seriously. They very clearly get inspiration in both sound and presentation from King Diamond but they've obviously lost sight of the fact that now, in 2008, King Diamond is barely able to maintain the respect once given, with everyone else treated with about as much seriousness as Dethklok, who even with an obvious love and reverence towards the genre are nothing more than a cartoon.

Dust is Everywhere – Attics and Catacombs cover artwork
Dust is Everywhere – Attics and Catacombs — Creeping Vine, 2008

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more