Review / 200 Words Or Less
Driving on City Sidewalks
Where Angels Crowd to Listen

Count Your Lucky Stars / Strictly No Capital Letters (2008) Campbell

Driving on City Sidewalks – Where Angels Crowd to Listen cover artwork
Driving on City Sidewalks – Where Angels Crowd to Listen — Count Your Lucky Stars / Strictly No Capital Letters, 2008

Driving on City Sidewalks is a Canadian duo who play a heartbroken strain of indie post-rock, with a few heavy nods to folk. This five-song EP begins with "To Finish the Race," which has instrumentals heavily ripping off The Appleseed Cast. This band uses simple and slow vocal patterns, drawing out every lyric with a melancholy tone in this particular song.

The guttural screams used on the title-track are misplaced and unnecessary, but luckily only last for one chorus. The acoustic "Tear, Repair" shows us a country-folk side to the duo, but the vocals sound a bit cheesy, reminding me of The Spill Canvas a bit. At nine minutes, the last track is a full dive into spacey post-rock, and is structured quite well for a song of that length. What I first wrote off as completely corny turned out to be a decent effort despite some glaring imperfections. I'm not likely to follow this group, but if they focused on the right aspects of their sound, they could get somewhere.

5.0 / 10Campbell • October 6, 2009

Driving on City Sidewalks – Where Angels Crowd to Listen cover artwork
Driving on City Sidewalks – Where Angels Crowd to Listen — Count Your Lucky Stars / Strictly No Capital Letters, 2008

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more