Review
Down and Outs
Friday Nights, Monday Mornings

Dead & Gone (2008) Michael

Down and Outs – Friday Nights, Monday Mornings cover artwork
Down and Outs – Friday Nights, Monday Mornings — Dead & Gone, 2008

Down and Outs have been shaking things up for going on four years now. Unfortunately, I really didn't start paying attention to the band until last year when they offered up a split 7" with Death is No Glamorous. Despite my ignorance, Down and Outs have amassed a small discography through a variety of releases - both in CD and vinyl formats. Friday Nights, Monday Mornings marks the band's second full-length release and follow-up to their 2004 debut offering, Boys from the Blackstuff.

The twelve tracks that comprise Friday Nights, Monday Mornings are ultimately punk, but cover a must broader spectrum than what many normally associate with the genre. The majority of the songs do evoke punk's intensity and bombasticy, but there are also intricacies. Take the guitar-driven "Pictures and Memories," which brings to mind The Clash with its clean-guitar strumming and soaring and poppy chorus. "Nihilo Sanctum Esnte" further experiments with this sound, something that we've heard more recently from the likes of The Loved Ones.

Occasionally the band mixes in those ruckus raising street punk cuts that so many of us have come to love from punk rock. "Pocket Money Punks" and "Get a Grip Son" are prime examples of this. "Anchors Away" and "We Want More" infuse a bit more melody and pop influences than these two, but are still more punk than pop; these songs brought to mind Dillinger Four.

As the album wraps up it is obvious that Down and Outs are more than just your typical punk hoodlums. This is reflected lyrically as well as the band steers clear of stereotypical political issues and instead focuses their attention towards adulthood and the responsibilities that come with it. While not certainly punk in theory, every youngster with a collection of Rancid and The Crass records must one day decide to either fight the system or sell out.

Friday Nights, Monday Mornings proves that the spirit of true punk rock still lives in the U.K. While they aren't nearly as genre defining as The Clash or as attention-driven as The Sex Pistols, Down and Outs offer up punk music that will appeal to punk fans. Not all music is going to change the world; sometimes you just need some good tunes that will get you through your days.

7.5 / 10Michael • May 8, 2008

Down and Outs – Friday Nights, Monday Mornings cover artwork
Down and Outs – Friday Nights, Monday Mornings — Dead & Gone, 2008

Related news

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more