Review
Divider
At Twilight

Shock Value (2006) Cory

Divider – At Twilight cover artwork
Divider – At Twilight — Shock Value, 2006

A few days ago I found out that I had Bell's Palsy - the muscles that control the right side of my face are so weak I cannot smile with the right side of my mouth or close my right eye with ease. I will essentially be without the control of the right side of my face for weeks. The cause is said to be a pinched nerve that weakened the muscles on that side of my face, a totally random occurrence. However, it's interesting to note that the week before I got Bell's Palsy, I was listening to At Twilight; a lot of At Twilight. I don't think a pinched nerve rendered the right side of my face useless. I think Divider pummeled the right side of my face into submission. And that is in no way a negative thing.

Hailing from Long Island, Divider plays a very fast, very technical, very brutal and chaotic form of hardcore reminiscent of Converge, which makes sense since At Twilight was recorded by Kurt Ballou at God City Studios. Divider is one of those bands that just makes you feel pissed off and angry at society and its current state. Socially and politically driven, At Twilight holds absolutely nothing back in their messages about marketing, the destruction of the environment, and ultimately the way the majority of society in America has decided to live their lives. During "Malled", Tym Barash, the vocalist of Divider and owner of Shock Value Records, yells:

I'm fucking sick of being accosted down every hall I walk. Stop feeding me bullshit to improve my style. I'm fine with myself, the fucking way I am!

This is the general attitude of Divider: Live for yourself, and fuck society and its mistakes. Vocally, Barash is diverse and brutal in his approach, using growls, screams, yells, and pissed out singing to create a very recognizable and uncompromising style of hardcore. The vocals change on a dime with the sound structures, moving from ultra fast hardcore to brutal thrash and metal in an instant. To accompany Barash's vocals, Divider is able to use quick breakdowns, driving bass and guitars, and pulsating drum beats to provide a very unforgiving atmosphere.

At Twilight is a very promising first release from a very promising band. Who cares if the right side of your face is useless after listening to Divider? Hopefully At Twilight is a sign of things to come from Divider, and I can only hope for them to keep kicking our asses with future releases.

7.7 / 10Cory • July 30, 2006

Divider – At Twilight cover artwork
Divider – At Twilight — Shock Value, 2006

Related features

Divider

One Question Interviews • January 23, 2014

Related news

Divider tour

Posted in Tours on January 30, 2015

1QI: Supersuckers, Gehenna, Divider, Asgeir & Mo

Posted in Bands on January 1, 2014

Glory Kid signs Divider

Posted in Labels on November 12, 2012

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more