Review / 200 Words Or Less
Deric Dyer
Renaissance Man

Dellboy Records (2012) Scott Wilkinson

Deric Dyer – Renaissance Man cover artwork
Deric Dyer – Renaissance Man — Dellboy Records, 2012

So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully honing his sound over the years and it shows on this release, he is the Boston version of Bobby Keys and like Bobby he can rip it up with the best of them.

The album features some of the best Boston musicians around with Cliff Goodwin - Guitar (Joe Cocker Band, Christine Ohlman & Rebel Montez, Robert Palmer), Marty Richards - Drums (Peter Wolf), Mitch Chakour - Keyboards (Joe Cocker Band), David Hull - Bass (Joe Perry Project, Aerosmith) along with a host of other equally talented musicians. 

The record is filled with standards that, while you are familiar with them Deric and the band add their own flavor to them. Starting with the tune "Gimme Some Lovin" and drifting into "Whatever Lola Wants" or "Stand By Me" you can feel the emotion Deric puts into every note he plays. The record covers several decades with songs "Give Me The Night" and "Sweet Love" along with a great version of "Use Me" with vocals provided by Mitch Chakour each song on the album brings out the best Deric has to offer. 

Also included on this release is Deric's powerful version of "America The Beautiful", the emotion Deric puts into every note is felt throughout the song a truly fantastic rendition that leans more toward the Ray Charles version which is one of the best.

Deric Dyer – Renaissance Man cover artwork
Deric Dyer – Renaissance Man — Dellboy Records, 2012

Recently-posted album reviews

Prayer Group

Strawberry
Reptilian Records (2025)

Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more