Review
Death Has Spoken
Call Of The Abyss

Ossuary Records (2021) Sarah Jane

Death Has Spoken – Call Of The Abyss cover artwork
Death Has Spoken – Call Of The Abyss — Ossuary Records, 2021

This is the second album from Polish death/doom metallers Death Has Spoken who formed in 2017. Taking inspiration musically from bands such as Paradise LostSwallow The SunHallatar and My Dying Bride to name but a few this 7 track album gives us just over 40 minutes of dark, melodic doom metal. I've got to hand it to these guys they are just as accomplished as their contemporaries. This album captures the imagination and emotional responses perfectly. Whilst it does convey elements of depression, bleakness and desolation it really carries you head long into it as an immersive experience rather then just another doom album.

Their first album Fade from 2017 is lyrically loosely based on novels written by Edgar Allan Poe and posed the question: Is death an end or a beginning? Call Of The Abyss is a continuation of this concept with the added inspiration of H.P Lovecraft to further the theme and takes it down a twisted route of mystery, cosmicism, decadence and destruction, which compliments the nostalgic elements of nineties doom, death and black metal. The opening track which is also the title track "Call Of The Abyss" is a steady paced melodic sequence with deep, dark booming vocals and an almost aquatic feel to it blending almost seamlessly into the pitch black "Lurking Fear". With a more foreboding and lingering musical style it has the second higher end guitar really cutting through. At an ambitious 7 minutes long "Woe" is of similar fare with a brightness that pushes through to give it a bold feel. The growling vocals telling stories of "Forbidden secrets, and unhuman land, where life and joy, died a long time ago." Midway through the album their instrumental track "Wilderness" has the most organic feel to it with a fantastic intro that transports you to a mysterious land of light and strange creatures as a creeping darkness approaches in the form of "Crawling To The Tomb". The desolate crushing drum beat and wonderfully dirty guitar sucks you in and spits you out the other end. The last 2 tracks "In Vain" and "Under The Flame" are the final bold statement pieces to the album which brings it to a triumphant end with clarity and the clash of cymbals.

The whole album has a kind of supernatural/spiritual feel to it with intros and elements incorporating soundbites from storms and natural disasters with guitar sounds that emanate seasonal changes very similar to bands like Wintersun. Incidentally the video to "Wilderness" is a drone shot winterscape over forests, mountains and streams which only enhances that feeling of a fantasy land.

Death Has Spoken have created a truely awe-inspiring album that has totally captured my imagination. They have a big sound for a 4 piece, the recording is spot on and you notice different elements on each repeat listen. Call Of The Abyss will become part of my collection as I feel I still have more to discover on this despite multiple listens already and I very much look forward to hearing more from them.

Call Of The Abyss is available on CD with lyrics and artwork booklet through Ossuary Records bandcamp page. Also check out their first album Fade and the split EP they did with Sun No More and Tankograd from 2020 entitled Unyielding.

Death Has Spoken – Call Of The Abyss cover artwork
Death Has Spoken – Call Of The Abyss — Ossuary Records, 2021

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more