Review / 200 Words Or Less
Daylight
The Difference Between Good and Bad Dreams

Run for Cover (2012) Adam Houtekamer

Daylight – The Difference Between Good and Bad Dreams cover artwork
Daylight – The Difference Between Good and Bad Dreams — Run for Cover, 2012

Daylight is one of those pop punk bands that run in the same vein as Run for Cover label mates Basement and genre heavyweights Title Fight, characterized by upbeat melodies and catchy riffs while retaining a clean sound.

The Difference Between Good and Bad Dreams is the band’s latest release and follows their acoustic EP. The four songs come to thirteen minutes. However, this release did not grip me the same way as the band’s first release, Sinking and did not leave me as excited for a full-length as the acoustic release did, though it still keeps me eager for something longer.

With a mellower sound, at times the songs leave the listener disinterested and lack the catchy vibe that was so prominent on Sinking. The strongest track is “In My Dreams,” where this slower, more organic sound is put together well with engaging lyrics that relate strongly to the title of EP and really show how the band can make it work. The opening track, “On the Way to Dads,” shows a glimmer of what I liked about Sinking and stands out because of it.

While I wouldn’t say I am disappointed in this release it just wasn’t what I was looking forward to. However, there are things that are done well and it leaves me more curious than excited to hear how they progress.

Daylight – The Difference Between Good and Bad Dreams cover artwork
Daylight – The Difference Between Good and Bad Dreams — Run for Cover, 2012

Related news

Daylight by Aesop Rock comes to vinyl

Posted in Records on February 11, 2024

Daylight change name to Superheaven

Posted in Bands on April 9, 2014

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more