Review
Dance Floor Justice
Breaking the Silence

Double or Nothing (2006) Bob

Dance Floor Justice – Breaking the Silence cover artwork
Dance Floor Justice – Breaking the Silence — Double or Nothing, 2006

There are three things that make me like this band. One, they have a ton of Star Wars references in their music. Actually, besides having a song named with a semi-obscure line from the original movie, there is an entire song about Darth Vader - shame on you if you are so culturally unaware as to who that is. Two, they are named after a Project X song. Three, some of the members used to be in the grossly underrated south Florida band Destro. That being said, this is a hardcore record and a fun hardcore record to say the least (see above reason number 1 for examples why). I do think it is ironic that this full-length is longer than the entire recorded output of one of their inspirations (see reason number 2 for a hint).

Breaking the Silence is a modern hardcore album with all of the fixings and breakdowns. Most of the record is mid-to-fast tempo songs of which there are a few highlights. "You Have the Right to Remain Dead" has some pretty good parts in its just over a minute time span, especially the last fifty seconds or so. I dig it. There is a good energy about it. "The Amity Island Massacre" has guest vocals by Kenn Marshall, the one time singer of Destro (see above reason number 3). It is good to hear him again, but the song is over rather quickly. "The Hurricane" is one of the longer songs and has a decent intro, which is also the outro, that seamlessly melds into another straight-up fast-paced hardcore song.

"Exploiting the Masses" has some real good guitar parts in it. I like the sound that the band has on this one. The transition to the outro is pretty cool too. "Red Faction and Biohazard" also has some excellent parts going on in it. The melodic guitar part in it comes out of nowhere and is gone almost in the same fashion. I like it. "In These Dark Days" is the aforementioned song about Darth Vader. Obviously, I like it by default. But the melodic style guitar that comes from out of nowhere plays hit and run on the listener again in this track as well, good stuff.

Dance Floor Justice put down a pretty good album in Breaking the Silence. The album could have benefited from amore ballsy and beefier production quality. I hope this is not the last that I hear from them. If they utilize the melodic guitar passages present in "Red Faction and Biohazard" and "In These Dark Days" they could do some really interesting things in the future.

6.0 / 10Bob • August 11, 2006

Dance Floor Justice – Breaking the Silence cover artwork
Dance Floor Justice – Breaking the Silence — Double or Nothing, 2006

Related news

Double Or Nothing Signs Dance Floor Justice

Posted in Labels on December 23, 2005

New Dance Floor Justice Material Online

Posted in MP3s on September 13, 2005

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more