Review
Ctrlaltdelete
Mondegreens

Motivesounds (2005) Michael

Ctrlaltdelete – Mondegreens cover artwork
Ctrlaltdelete – Mondegreens — Motivesounds, 2005

I used to hate 'ctrl,' 'alt,' and 'delete.' Used in succession, it only meant one thing - reboot. That's right! Your computer is fucked and there is nothing you can do. Accept defeat and hit those keys. Anything you were working on is lost forever. But now, I'm kind of fond of them. UK post-rock trio Ctrlaltdelete has redefined those keys as a means to elation instead of frustration.

Their four-song EP, Mondegreens, begins with the song 'Each of These Innocents on the Street is Engulfed by a Terror of Their own Ordinariness.' Fortunately the music that comprises the song is not long-winded like its name. Instead, we are treated to upbeat guitar melodies and smooth-flowing drumming arranged in quite a dynamic manner. The result is not unlike the material of Explosions in the Sky and The Rum Diary.

On the next track, 'All out Greatest Memories are in Sepia,' Ctrlaltdelete intensify things. Guitarist Ben Maxwell makes significant use of his distortion pedals this time around. The path taken falls in line with the work of Isis, as it makes use of a gradual building sequence that doesn't reach its climax until the end of the track. But when it does, it is heaven. One main different remains, however, as this piece is not nearly as textured as that of Isis. 'Patter, Chance and Menace' follows in the same vein, though it hits its mark much sooner.

Mondegreens commences with 'Your Aggression, My Venture,' a six minute undertaking that juxtaposes the slow-moving yet meticulous with the dramatic and 'chaotic.' During the course of listening to this song, like the others, I found myself drifting. That is to say, I would close my eyes and relax, absorbing the lush tones of the guitars, the warm basslines, and the rhythmic drumming as they surrounded me.

Mondegreens is a triumphant EP that given the right promotion could easily catapult this UK trio into the upper echelon of post-rock groups. My only wish is that this was a full-length, as 26 minutes only left me wanting more.

7.0 / 10Michael • October 13, 2005

Ctrlaltdelete – Mondegreens cover artwork
Ctrlaltdelete – Mondegreens — Motivesounds, 2005

Related news

Ctrlaltdelete Mp3s From EP

Posted in MP3s on May 2, 2005

Ctrlaltdelete Wrap Up Recording

Posted in Records on April 28, 2005

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more