Review
Criteria
When We Break

Saddle Creek (2005) Bob

Criteria – When We Break cover artwork
Criteria – When We Break — Saddle Creek, 2005

Let's get a few obvious bits of information out of the way. Criteria is the latest vehicle by one half of the early Cursive writing team, Steven Pederson. No, this is not a blatant rip of Cursive's material. Criteria is a less pretentious and anthemic rock album. It is a supremely infectious pop record in fact. I was completely surprised by how many hooks When We Break contained. It gives a similar nostalgic feeling to the listener that the blue album from Weezer gave when it first surfaced. This Criteria record is so bouncy and happy feeling that it is sickening.

When We Break explodes out of the gate on "Prevent the World". It is almost impossible to explain how good the song is. It has a huge hook, syrupy backing vocals, and an opening that would make Rivers Cuomo wet his pants. "Draped in the Blood" is similar in its syrupy vocal delivery. There is this single note guitar part that sticks in your head for a few hours following repeat listenings of the album. The bridge is short and impeccably timed. "Good Luck" is next up and has the call and response part from hell. I found myself singing along before the part ended. "Kiss the Wake" contains such a positively catchy chorus…I hate it. Every song practically sticks in my head. Seriously, it's been a long, long time since I loved a pop record, and it's not the cheesy self parody that Weezer has fallen into since there return either. "Salt in Game" slowly builds with a subtle guitar part that is joined by a beefy sounding bass line that breaks from the album's monster hook formula with an almost angular sound. It works really well with the rest of When We Break as a backdrop. The vocals even almost fall into a round, yes, a round (like "Row, Row Your Boat"). "Run Together" has vocal elements similar to Sunny Day Real Estate's swan song The Rising Tide. The single, unfortunate track on this record (not that it is a bad song) sounds like something write off of The Ugly Organ by Cursive. This might have been a purposeful retort to his former writing partner, but I don't want to be the one to start that rumor.

From start to finish Criteria's When We Break is an excellent record. It is a great listen. It's the right length. It's filled with monster pop hooks. The vocals sound great. The production is top notch. This album could be huge. It is better than 99% of the horrible pop albums that hit the billboard charts all the time. It's a shame that this is not a well-known bad at this point. I could see this as being one of those records that people sleep on until after the band is gone and people lament their misfortune of getting into the band too late. Don't be one of those people. If you like poppy rock records like Weezer and or Sunny Day Real Estate, you shouldn't be disappointed by When We Break. I would be remiss not to recommend this album.

8.5 / 10Bob • December 15, 2005

Criteria – When We Break cover artwork
Criteria – When We Break — Saddle Creek, 2005

Related news

Criteria Tourdates

Posted in Tours on January 7, 2006

Criteria Video Online

Posted in Bands on August 2, 2005

Recently-posted album reviews

Dead Bars

All Dead Bars Go To Heaven
Iodine (2025)

Dead Bars has a unique talent of taking the everyday, the experiences you see and live all the time, and shining a new light on them to make them personal and interesting. I've written about it before, yet it's my job to say this again and to make it interesting. It's what Dead Bars does, so it only seems fitting … Read more

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more