Review
Cradle Of Filth
Darkly, Darkly, Venus Aversa

Peaceville (2011) Jon E.

Cradle Of Filth – Darkly, Darkly, Venus Aversa cover artwork
Cradle Of Filth – Darkly, Darkly, Venus Aversa — Peaceville, 2011

Most people already have a clear opinion of Cradle Of Filth. Generally speaking the band are rather polarizing and have done little over time to change that fact. While some opinions may be unfounded, the band also do much to make the most of their fanbase. The band plays a very dramatized style of what could almost be called Orchestral Black Metal (i.e. the last couple Dimmu Borgir albums). That is not to say they are catchy or are any less upsetting in their own way. Their albums always huge productions with story lines guiding them along. I honestly don't remember the last time they didn't release a concept album of some sort. This album is centered around the character of Lilith. This character was Adam's (yes, the biblical one) first wife.
The band goes a long way to continue on their own progression. So many outboard instruments seem to make appearances building an almost orchestral wall of sound. This album includes choral work and orchestral pieces within the songs. This should be of no surprise to anyone familiar with the band. This only helps to create a sense of drama within the songs. With all of these extra elements the main instruments tend to take a bit of a backseat. So with that said I can't truly pick out any special riffs or drum fills throughout the albums running time. That is not to take anything away from the players, as everything is capably played. The main complaint there seems to be regarding the band is one Dani Filth. The main man and consistent member of the band. The man has truly interesting voice. Mainly relying on ungodly screeches. Not screaming, screeches. For most this is the breaking point and in some ways it is what makes the band stick out among their peers. The man does use different vocal patterns throughout employing grunts and growls depending on the song. The screeches seem to do more to take away from the atmosphere that band goes so far to try and build.
The production work is as clear as day. This is not unexpected as allowing the instruments to be overtaken by grimy production would do little to help their cause. Unfortunately the mixing is what becomes upsetting over time. As mentioned before the orchestral elements are allowed to take over and whenever they do show up (which is often) they overshadow all other elements of the songs. In general this album is not going to help or hurt their fan base. There is nothing here that is overly upsetting but also nothing to help them gain any new fans either. This is an ably done album that stays true to their given style.

6.7 / 10Jon E. • February 21, 2011

Cradle Of Filth – Darkly, Darkly, Venus Aversa cover artwork
Cradle Of Filth – Darkly, Darkly, Venus Aversa — Peaceville, 2011

Related news

New Cradle of Filth Album, Song

Posted in Videos on June 24, 2015

Cradle of Filth releasing demo comp

Posted in Records on April 2, 2014

Cradle of Filth set tour dates

Posted in Tours on January 13, 2013

Recently-posted album reviews

Burned Up Bled Dry

Next Stop… Dead Stop…
Prank (2026)

There’s no easing into Next Stop… Dead Stop… No buildup, no warning just impact. Fayetteville, Arkansas’ Burned Up Bled Dry return from decades of dormancy with a debut full-length that feels less like a comeback and more like a long-awaited detonation. Formed in 1996 and tied to that gnarlier mid-south hardcore lineage alongside bands like His Hero Is Gone and … Read more

Blue Ash

Dinner At Mr. Billy’s
Peppermint Records (2026)

Most people treat the Blue Ash story like a collection of "almosts" and they are sure missing the point.Almost famous, almost signed, almost the American Beatles. Forget that, erase that fable from your feeble grey matter. Dinner at Mr. Billy’s—straight from the Peppermint Productions vaults—proves they weren't just "lost" contenders. They were the engine room of the Rust Belt. While … Read more

Luxury Teeth

DCxPC Live & Dead, Vol. 3
DCxPC Live (2024)

There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live & Dead, Vol. 3 captures Luxury Teeth in two very different settings and more importantly, shows that neither version feels like a compromise. Side A, the “Live” portion, was recorded at the Ottobar in Baltimore while opening for GBH, and … Read more