Review / 200 Words Or Less
Courtney Barnett
Tell Me How You Really Feel

Mom + Pop (2018) Brendan Hilliard

Courtney Barnett – Tell Me How You Really Feel cover artwork
Courtney Barnett – Tell Me How You Really Feel — Mom + Pop, 2018

Courtney Barnett’s output is usually a sure thing – which is why it’s strange her latest, Tell Me How You Really Feel is weirdly disappointing. It’s not bad, it just lacks the punch found on 2015’s Sometimes I Sit And Think, And Sometimes I Just Sit. “Hopefulessness” is a strange, dissonant opener that casts a bit of a pall over the record, while first single “Nameless, Faceless” is a fine midtempo rocker that’s hook doesn’t really burrow in, say, like the classic “Pedestrian at Best”. There are some great moments like “Crippling Self Doubt and a General Lack of Self Confidence” buoyed by contributions by Kelley and Kim Deal and the relationship ballad “Need a Little Time”. It has been home run after home run until now. It’s just a bit of a bummer to hear Barnett sound tired and and actually a little bored. Sure, she’s sang about it, but it’s never really felt like it until now.

Courtney Barnett – Tell Me How You Really Feel cover artwork
Courtney Barnett – Tell Me How You Really Feel — Mom + Pop, 2018

Related features

Related news

Courtney Barnett's Creature of Habit

Posted in Records on January 21, 2026

Noise For Now Vol. 2 for reproductive rights

Posted in Records on March 29, 2024

Recently-posted album reviews

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more