Review / 200 Words Or Less
Courteeners
Mapping the Rendezvous

Ignition Records (2016) Aideen

Courteeners – Mapping the Rendezvous cover artwork
Courteeners – Mapping the Rendezvous — Ignition Records, 2016

Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman Liam Fray got under the city's skin, and the band created an album that exudes the freedom and intensity of being young in an intoxicating city. Produced by long-time collaborator and recently recruited bass player Joe Cross, this album is the band's most buoyant effort yet. Early in the Courteeners' career they sounded like a small-scale band pretending to be stadium fillers, but Mapping the Rendezvous is a glossier, more commanding effort that befits the band's arena-filling status. The thoughtful paean of "Most Important" sits comfortably alongside the commanding strut of "The 17th", while "No One Will Ever Replace Us" forms a glittering high point on the intensely forward-looking album. It's impossible not to be swept away by the unshakeable positivity and live-for-the-moment ethos that engulfs this album.

7.5 / 10Aideen • October 24, 2016

Courteeners – Mapping the Rendezvous cover artwork
Courteeners – Mapping the Rendezvous — Ignition Records, 2016

Related features

Courteeners

Interviews • October 31, 2016

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more