Review
Colin Of Arabia
Illegal Exhibition of Speed

Rock Vegas (2004) PJ

Colin Of Arabia – Illegal Exhibition of Speed cover artwork
Colin Of Arabia – Illegal Exhibition of Speed — Rock Vegas, 2004

The first thing I noticed when pulling this CD out of the tray, was that it was one of those full size compact discs that only uses three inches in the middle. The outer ring of the disc was clear plastic. The image screened onto the disc looked pretty menacing with the clear background. I also noticed that the band used the CrimethInc bullet logo.

Only three of the twelve tracks on this CD clock in at over the two minute mark. All told, this entire recording lasts a little over eighteen minutes. Colin of Arabia keeps it fast paced, for sure. This album has really really poor audio quality, thanks to the guitar & bass tone, which sounds muddy. The snare drum is really loud, but you cant really hear the rest of the drum kit. "Illegal Exhibitions of Speed" has the kid of sound normally associated with a demo rather than a release with snazzy layout and a record label's logo on the back. At times the low quality of the recording interfered with my capability to pay attention to the music itself. I understand that in punk rock there is a certain level of overlooking sound quality for content, but this sounds like it was taped on a Fisher Price cassette recorder.

Colin of Arabia reminds me of a lot of bands. They play fast hardcore punk. Sometimes a noisy part or a moshy breakdown is thrown in to keep it from being a blur of guitar and screaming. The intro track has a guitar solo that brings Warzone to mind, and several of the songs seem to recall Cro-Mags. At times there are short guitar parts reminiscent of Greg Ginn's work on "My War." The vocals are all over the place: sometimes it's screams, other times it's barks. The singing part of the track "Ordinary Guy" is one of the most annoying things I have ever heard put to compact disc. I can't tell if that was intentional or not. Most of the lyrics cover pretty run-of-the-mill hardcore topics (frustration with life, being pissed off, loss of hope, etc.), but the last track caught my attention. I was a little surprised to see an anti-war song on an album like this, as the rest of the songs don't seem openly political in nature. They pull off a solid cover of Slapshot's "Day My Thought's Turned to Murder", which is a unique choice. This is the only Slapshot cover I have been aware of from their 1994 LP "Unconsciousness." (That album was actually recorded by the legendary audiophile Steve Albini. His albums sound awesome, unlike this one.)

This is a pretty average hardcore release. I wouldn't spend my time hunting it down or anything, but if you're into tuff fast hardcore, "Illegal Exhibitions of Speed" isn't too bad.

4.0 / 10PJ • June 5, 2005

Colin Of Arabia – Illegal Exhibition of Speed cover artwork
Colin Of Arabia – Illegal Exhibition of Speed — Rock Vegas, 2004

Related news

Colin Of Arabia Post New Song

Posted in MP3s on January 24, 2008

Double Or Nothing Signs Colin Of Arabia

Posted in Labels on April 12, 2007

Recently-posted album reviews

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more

Second Harbour

Coalesce EP
Sharptone (2025)

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s … Read more