Review
City Mouse
Get Right

It's Alive (2017) Loren

City Mouse – Get Right cover artwork
City Mouse – Get Right — It's Alive, 2017

The Fest is a pretty cool event. The first time or two I went, I went to see the headliners on the big stages, packing a day of well known (by punk standards) into one action-packed 12-hour period. Over time, I’ve come to seek out the newer bands on the smaller stages. The atmosphere is more my vibe, but it’s also because that’s where I find new discoveries like City Mouse—playing night one of this year’s Pre-Fest.

The band plays punk ’n’ roll, using classic rock power with flowing melodies among the rollicking guitar and forward-pounding rhythms. It’s potent and punchy, full of attitude, swagger and memorable hooks from the start. “A New Dawn” is really the standout track, perhaps because it sets the tone for the next 12 songs and maybe just because those “tweedle-dee” lyrics flow so effortlessly from Miski Dee Rodriguez’s mouth.

The band really uses from two core, overlapping elements. Rodriguez’s vocals cover a wide range of real singing, hitting new octaves and flowing effortlessly with an R&B smoothness over a classic no-filler rock backdrop. The rock ’n’ roll is that second core, most evident in “Journal” with its shredding finish and big riffage boosting the bridges between melodic choruses.

“Journal” has some of the most memorable lyrics, using a storytelling structure as Rodriguez reads an ex’s journal. It’s a bit more repetitive than some other tracks, which almost causes it to lose some luster before the riffage kicks it back up a notch. The big standouts are “A New Dawn,” “Terminal Disease,” and “Bad Weather,” but I could easily pick more. Really, each song’s punch comes from how Rodriguez belts such strong melodies no matter what the rhythm is doing. Get Right is a serious banger all the way through.

At times sensual, other times bitter, this is essentially a break-up record that empowers instead of wallowing. “I am strong, I am proud,” Rodriguez sings in “Exorcise,” a perfect summary of the overall tone. This is a record for picking up the pieces, ceremonially burning the ex’s journal, and doing something for yourself.

8.8 / 10Loren • January 22, 2018

City Mouse – Get Right cover artwork
City Mouse – Get Right — It's Alive, 2017

Related features

The Fest 20

Music / Fest 20 • August 5, 2022

City Mouse

One Question Interviews / What's That Noise? • September 24, 2020

City Mouse

One Question Interviews • August 16, 2018

Related news

City Mouse EP

Posted in Records on October 22, 2021

City Mouse UK tour with Werecats

Posted in Tours on May 31, 2019

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more