Review
Chain Cult
Demo 2018

La Vida Es Un Mus Discos Punk (2018) Loren

Chain Cult – Demo 2018 cover artwork
Chain Cult – Demo 2018 — La Vida Es Un Mus Discos Punk, 2018

I don’t know much about Chain Cult – and sometimes that’s a good thing coming into a band. Instead of a bio, the review might actually talk about the music instead. Chain Cult calls Athens, Greece home and this release, succinctly titled Demo 2018 has 6 songs and runs about 17 minutes.

The first note is that, for being called a demo, this record sound quality is great and the songs are fully formed. Most people dub this group post-punk, and it’s fairly accurate. There are strong shades of the riffage from late 1970s British bands that were starting to grow away from the simpler 3-chord base, spawning the “post” subgenre of today. While that’s a good start, the band is probably equal part street punk and ’77 punk, mixing in familiar flourishes that breathe a little more life into the brooding tone. 

The vocals are forceful, with “Black Hole” in particular reminding me of the vocal delivery in a street punk song: it’s shouted, punchy and clear. Meanwhile the guitars wind, twist, and groove. What’s always defined post-punk to me is the way that hooks get stuck in your head instead of a vocal melody, and that’s definitely the case on Demo 2018. Each song has its own loop that digs in and sticks with you, yet they wrap up each of the 6 songs neatly, with each track standing strong on its own. “Chain Cult” is a call to action, and “State of Fear” manages a complexity in tone that’s building, brooding, and bursting with power all at the same time. 

Chain Cult deliver post-punk for a punk rock attention span. The songs are more exploratory than your average punk song, but they never go off course too far either. It’s experimental, yet contained and to the point. 

8.0 / 10Loren • July 2, 2018

Chain Cult – Demo 2018 cover artwork
Chain Cult – Demo 2018 — La Vida Es Un Mus Discos Punk, 2018

Related features

Chain Cult

One Question Interviews / What's That Noise? • October 26, 2020

Recently-posted album reviews

Tigers Jaw

Lost on You
Hopeless (2026)

Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the band is once again carefully crafting and delivering a sound that is equal parts upbeat angst and mellow moodiness. The current lineup, consisting of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy … Read more

N.E. Vains

Running Down Pylons
Big Neck Records (2026)

N.E. Vains’ Running Down Pylons delivers that kind of glorious, basement-level destruction. You know, back in the ’70s when every basement had those flimsy swinging room-dividing doors, and your skinny 130-pound frame suddenly ripped them clean off the hinges in a fit of imagined superhuman strength? The day you went from sand-kicked weakling to full Charles Atlas mail-order muscle miracle? … Read more

Poison The Well

Peace In Place
Sharptone (2026)

There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it rewired how heaviness and vulnerability could coexist. And honestly, is … Read more