Review
Chain Cult
Demo 2018

La Vida Es Un Mus Discos Punk (2018) Loren

Chain Cult – Demo 2018 cover artwork
Chain Cult – Demo 2018 — La Vida Es Un Mus Discos Punk, 2018

I don’t know much about Chain Cult – and sometimes that’s a good thing coming into a band. Instead of a bio, the review might actually talk about the music instead. Chain Cult calls Athens, Greece home and this release, succinctly titled Demo 2018 has 6 songs and runs about 17 minutes.

The first note is that, for being called a demo, this record sound quality is great and the songs are fully formed. Most people dub this group post-punk, and it’s fairly accurate. There are strong shades of the riffage from late 1970s British bands that were starting to grow away from the simpler 3-chord base, spawning the “post” subgenre of today. While that’s a good start, the band is probably equal part street punk and ’77 punk, mixing in familiar flourishes that breathe a little more life into the brooding tone. 

The vocals are forceful, with “Black Hole” in particular reminding me of the vocal delivery in a street punk song: it’s shouted, punchy and clear. Meanwhile the guitars wind, twist, and groove. What’s always defined post-punk to me is the way that hooks get stuck in your head instead of a vocal melody, and that’s definitely the case on Demo 2018. Each song has its own loop that digs in and sticks with you, yet they wrap up each of the 6 songs neatly, with each track standing strong on its own. “Chain Cult” is a call to action, and “State of Fear” manages a complexity in tone that’s building, brooding, and bursting with power all at the same time. 

Chain Cult deliver post-punk for a punk rock attention span. The songs are more exploratory than your average punk song, but they never go off course too far either. It’s experimental, yet contained and to the point. 

8.0 / 10Loren • July 2, 2018

Chain Cult – Demo 2018 cover artwork
Chain Cult – Demo 2018 — La Vida Es Un Mus Discos Punk, 2018

Related features

Chain Cult

One Question Interviews / What's That Noise? • October 26, 2020

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more