Review / 200 Words Or Less
Carry the Torch
Dead Weather

Detonate (2008) Jason

Carry the Torch – Dead Weather cover artwork
Carry the Torch – Dead Weather — Detonate, 2008

Carry the Torch are yet another over-emotional hardcore band that play fast, somewhat tuneful, a little bit metal, and quite moshable hardcore. The one-sheet says they would appease the fans of Strongarm, Cave In, and Taken when in actuality they only had to mention Shai Hulud since Carry the Torch tries to do their best of impression of A Profound Hatred of Man.

Dead Weather isn't horrible by any means, just I've had enough of this style of hardcore as of late. Good for what it is, but what it is, I'm not interested. However if you like slightly metallic hardcore with those cute little guitar leads and enough spinkick parts to offset a Jet Li film, then you will be all over this, mosh-a-manic.

4.2 / 10Jason • May 10, 2008

Carry the Torch – Dead Weather cover artwork
Carry the Torch – Dead Weather — Detonate, 2008

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more