Review
Cameran
A Caesarean

Innocent Words (2006) Neil F.

Cameran – A Caesarean cover artwork
Cameran – A Caesarean — Innocent Words, 2006

Apparently best described as "encapsulating the sonic blend of Jack Kerouac's contagious zest for life and Yves Klein's wild and reckless attempts of jumping out of windows," Cameran are probably closer to a severe mix of the art-noise of early …Trail of Dead, Sonic Youth et al, and the irreverently hushed, thunderously deafening post-rock of the Mogwai of old. Moments of reflection mix with perplexed drumming and controlled explosions of almost punk-fury and blend with the Conrad Keely school of vocal work to create a noise that can be both cheerless and humorous.

Opening with the guitar blasts of "The Zombie Walk," a song that falls deliberately into the trap of dramatic tension meets deafening guitars and harsh drum rolls, the listener is thrown into a world of straight-up alt-rock that lasts the duration of the first three songs. "Headphone Music OP 001," with its accordion and violin lines muses towards a quieter and more inhuman sound that isn't too far from bordering on Czech folk music. From there on in, through the yells of pain in "The Listening Test," akin to The Icarus Line's Mono, and "Hideko", that carries the …Trail of Dead influences through some verses that could have come out of a CapDown song, A Caesarean shows itself as a blistering rock album. Shattered by the piano-driven, instrumental quietness of "Tu es Monono?" a much more suitable closer than the quiet-loud resurgence rock of the lame and predictable "A Million Years Now".

A Caesarean is a piece of alt-rock that has been done slightly better by others and that has a tendency to, occasionally, sit uncomfortably on the wrong side of post-hardcore. Slightly over reliant on …Trail of Dead, both for sonic influence and audience, it has, nonetheless, enough intrinsic substance to stand away from the ambiguity prevalent in the bands that play to the same influences. Overly serious at times and almost self-deriding at others, A Caesarean shows itself to be a solid, if not defining, piece of post-rock fury, sans the pretensions that seem so prevalent in many contemporaries.

7.7 / 10Neil F. • September 4, 2006

Cameran – A Caesarean cover artwork
Cameran – A Caesarean — Innocent Words, 2006

Advertisement

DCxPC 2025

Recently-posted album reviews

Gus Baldwin & The Sketch

The Sketch
Permanent Teeth (2025)

When The Sketch opens, I find myself quickly thinking of “Got The Time” by Joe Jackson. For the most part, that comparison fades by the time the power chords kick in at 10 seconds, but I also bring it up because (at least in my mind) that’s a classic track that doesn’t get enough fanfare. No artist wants constant “sounds … Read more

Chat Pile

Cool World
Flenser (2024)

The great American experiment has a wide range of experiences, but it tends to focus on the coasts. There are countless dystopian pieces of art, often culling from a Warriors-esque concept of urban grit. Chat Pile play dystopian, brutal noise-punk, but from a distinctly middle American point of view where instead of civilians shadowed under dense skylines, their anonymity instead … Read more

The Anomalys

Down The Hole
Slovenly (2024)

If I have to give the elevator pitch, I’ll call The Anomalys garage rock with an ear for surf and psyche rock -- turned up to 11 and blasted through blown out speakers in an old 1980s sedan. It’s high-energy, no-frills rock ‘n’ roll with attitude. While it’s short, loud and fast, there’s also quite a bit of nuance and … Read more