Review / 200 Words Or Less
Caleb Lionheart
Think Hardcore, Play Pop Punk

Farewell Party (2008) Michael

Caleb Lionheart – Think Hardcore, Play Pop Punk cover artwork
Caleb Lionheart – Think Hardcore, Play Pop Punk — Farewell Party, 2008

New York outfit Caleb Lionheart's first proper offering Think Hardcore, Play Pop Punk is a bit of an odd title. Thankfully, the band does not play the mosh-influenced hardcore version of pop-punk of A Day to Remember. Instead the band's fast-paced punk is much closer to Lifetime and Bouncing Souls.

Musically, I enjoy what Caleb Lionheart has to offer quite a bit. The sound is rooted in the fast and melodic punk sounds of the early Fat Wreck/Epitaph catalogs, but also has hints of melodic hardcore as well. And then there are the slight melodic moments that bring to mind the early years of the Saves the Day. Lead off track "Adrenaline" and "Vultures" are good examples. But the vocals are where I just feel that things are a bit off. I can't quite place the origins of the harmonies; they just don't fit right off. Maybe if they weren't so forward in the mix?

Farewell Party gets bonus points for its uniqueness in the packaging for this release. It came with a screen-printed LP-sized cover, a cassette tape, and a CD copy. Apparently the vinyl version is due out later this year

that's quite a lot for one release.

For a first release Caleb Lionheart show promise for bright future. I'm still a little thrown by the vocals, but I think that in time I could get over that I mean, I enjoy Mike Ski's vocals so anything is possible. Keep tabs on this young group; they've got a lot of life left in them.

6.5 / 10Michael • April 3, 2009

Caleb Lionheart – Think Hardcore, Play Pop Punk cover artwork
Caleb Lionheart – Think Hardcore, Play Pop Punk — Farewell Party, 2008

Related news

Caleb Lionheart Pre-Orders Launched

Posted in Records on March 3, 2009

Farewell Party Signs Caleb Lionheart

Posted in Labels on January 16, 2009

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more