Review / 200 Words Or Less
Caleb Lionheart
Think Hardcore, Play Pop Punk

Farewell Party (2008) Michael

Caleb Lionheart – Think Hardcore, Play Pop Punk cover artwork
Caleb Lionheart – Think Hardcore, Play Pop Punk — Farewell Party, 2008

New York outfit Caleb Lionheart's first proper offering Think Hardcore, Play Pop Punk is a bit of an odd title. Thankfully, the band does not play the mosh-influenced hardcore version of pop-punk of A Day to Remember. Instead the band's fast-paced punk is much closer to Lifetime and Bouncing Souls.

Musically, I enjoy what Caleb Lionheart has to offer quite a bit. The sound is rooted in the fast and melodic punk sounds of the early Fat Wreck/Epitaph catalogs, but also has hints of melodic hardcore as well. And then there are the slight melodic moments that bring to mind the early years of the Saves the Day. Lead off track "Adrenaline" and "Vultures" are good examples. But the vocals are where I just feel that things are a bit off. I can't quite place the origins of the harmonies; they just don't fit right off. Maybe if they weren't so forward in the mix?

Farewell Party gets bonus points for its uniqueness in the packaging for this release. It came with a screen-printed LP-sized cover, a cassette tape, and a CD copy. Apparently the vinyl version is due out later this year

that's quite a lot for one release.

For a first release Caleb Lionheart show promise for bright future. I'm still a little thrown by the vocals, but I think that in time I could get over that I mean, I enjoy Mike Ski's vocals so anything is possible. Keep tabs on this young group; they've got a lot of life left in them.

6.5 / 10Michael • April 3, 2009

Caleb Lionheart – Think Hardcore, Play Pop Punk cover artwork
Caleb Lionheart – Think Hardcore, Play Pop Punk — Farewell Party, 2008

Related news

Caleb Lionheart Pre-Orders Launched

Posted in Records on March 3, 2009

Farewell Party Signs Caleb Lionheart

Posted in Labels on January 16, 2009

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more