Review
Bubonic Bear
Fleshworld

Sloth Tapes (2011) Bob

Bubonic Bear – Fleshworld cover artwork
Bubonic Bear – Fleshworld — Sloth Tapes, 2011

Over several very under the radar releases (EPs, splits, half lengths, etc.), the dynamic duo that makes up Bubonic Bear unleash Fleshworld on a mostly unsuspecting audience that (despite lots of touring and tons of shows) still have yet to experience the crushing doom-y noise-y sludge that has become this group’s trademark for audience destruction (I always thought of the Bear as a more punk Cavity, which is an amazing to think about really); and maybe I just never paid close enough attention to the nuances of the studio aspect of Bubonic Bear because with Fleshworld, this duo seemingly has matured a great a deal with their song and studio craft.

At times Fleshworld seems a bit noisier or maybe more droning than on previous efforts (“Young Professionals” takes a much slower and measured approach that allows the guitar some droning moments than other songs on the album, while the awesome “Occult Farmers” is such a noisy, slow burn that it is criminal), and at other times, furious tracks like “Parade In Sweat” show that the band has not lost its ability to thrash wildly with reckless abandon; the album certainly finds Bubonic Bear stretching out into new creative ground with “West To Broad” as the song continues the band’s exploration of slower tempos while augmenting that with a hypnotic repetition and weird chanted vocals (as opposed to the usual sound vocal sound of broken and haggard screams) that just push the song to a whole other level.

Fleshworld definitely is a huge step for Bubonic Bear in terms of both recording quality and creativity by having not only the most crisp recording that they have used to date, but also this duo certainly pushed their creative powers into new and exciting directions without losing a whit of their crushing power that they seemingly wield with little to no effort; my one complaint (however small it may be) is that the Bear still has not quite figured out how to translate the gut kicking bottom end that simply destroys people in their live incarnation (if and when they do that, forget it, this band will be unstoppable) because this record is so good in every other way.

7.5 / 10Bob • April 2, 2012

Bubonic Bear – Fleshworld cover artwork
Bubonic Bear – Fleshworld — Sloth Tapes, 2011

Recently-posted album reviews

The Brokedowns

Let's Tips The Landlord
Red Scare Industries (2025)

I've reviewed a lot of Brokedowns records over the years. First, I'll say I love the band and I honestly feel like they keep getting better. Second, I'll say that this record threw a couple of surprises at me. The band play multi-vocalist poppish punk in the school of Dillinger Four or Errth, albeit more on the angry side. There … Read more

Dumbells

Up Late With
Mind Melt Records (2025)

When I started my end of year list this year I asked my pal Joel from Portland’s Dumpies to share his best of 2025 playlist with me. Several songs caught my attention which I, in turn, went and checked out the albums from which they had come. The one that has quickly climbed up my year end list over the … Read more

Osiah

Aion
Unique Leader (2025)

Deathcore is a genre that’s constantly threatening to eat itself alive. For every band trying to push boundaries, there are ten more content to recycle the same breakdowns, the same vocal gymnastics, the same studio-polished violence. Osiah, however, have never been interested in playing it safe and their latest EP Aion is proof that they’re still operating on a level … Read more