Once upon a time I picked an album to review based on its cover art. It was an album by a Norwegian band called Shevils. That artwork was completely bonkers with Cthulhu dressed as a cowboy riding a manta ray and much, much more. This was back in 2013. I liked that album so much it made my yearlist. In … Read more
Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within the same song. I kind of think of it as a female take on ‘90s emo: the songs are personal and introspective, searching for help through the downtimes. A difference being that most ‘90s emo was seeking validation while this … Read more
The pandemic has taken its toll on everyone. Even though I’ve stayed healthy, it’s stressful and that inevitably seeps into daily life. One interesting takeaway is that I think I appreciate hardcore more in 2020-21 than I have in the past decade. It’s a good time to be screaming from the bottom of your lungs.Slant is a 5-piece from South … Read more
Dennis: When browsing through new releases in my overflowing inbox I decided to go for Slow Crush. It is released on Church Road Records, a sympathetic new label and mentioned shoegaze, dream pop and indie rock. I may not have the deepest of knowledge on this genre, but enough to give you an honest opinion. To my surprise I was … Read more
For Sodom, 2021 has been a pretty productive year, as well as bringing out a mega remastered bells and whistles boxset of M-16 on its 20th anniversary they have also brought us this new EP. In their current line up as a 4 piece (since 2018); original member Tom Angelripper (bass/vocals), Frank "Blackfire" Gosdzik (guitar), Yorck Segatz (guitar) and Toni … Read more
German thrash metal giants Sodom have released a 20th anniversary remastered edition of their tenth studio album M-16 (2001), unleashed in three formats: a glossy CD mediabook, 2 LP 180gm orange vinyl and a deluxe boxset. The CD and LP releases contain two previously unreleased live tracks "Remember The Fallen" and "Blasphemer" from Wacken 2001 as well as some exclusive … Read more
The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating … Read more
My first contact with Soup was somewhere in late 2020 towards early 2021, so it hasn’t been long since I’ve been following the band. I was really taken with Remedies, falling in love with the epic post rock passages and the sweet and easy-going delivery of the rest of the elements. Not long ago we got a follow up to … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
Labels like Amphetamine Reptile and Skin Graft Records and the “now wave” and noise rock avalanche they launched has served as an immense source of inspiration for a myriad of bands. Listening to Stella Research Committee’s fifth LP, they do not only seem to be overly familiar with the output of the aforementioned label rosters, but have channelled those influences … Read more
I’m doing my damnedest not to judge this book by its cover, because Stiff Richards is far and away the worst band name I’ve heard in some time.With that out of the way, they say punk is an angry genre. Sometimes that’s in the lyrics, sometimes the shouting, sometimes the overall sonic impression. This is the latter. It’s short and … Read more
Sliding down a KY Musk Moonbeam with Merlin firmly tucked into the back pocket. Quantum Leaps of 10 million years thrusting handfuls of melted Reese’s Pieces into your Pac Man gobbling, gobsmacked. gargantuan armchair self-proclaimed expert in all areas that cross your throbbing thrusting Billionaire rocket mindship. Hail the great Zrek! Welcome to the Apocalypse Generation. Get ready to engage … Read more
The info surrounding this EP talks about how Street Eaters have changed. The band formed roughly a decade ago, so there’s always going to be evolution and whatnot -- and there is even a new shape to the band on Simple Distractions, as they’ve officially become a three-piece. Still, the first thing I hear on the opening title track is … Read more
There aren’t a lot of modern bands that genuinely feel like they’re pushing music forward. One such example comes in the form of Sungazer. Sungazer is the brainchild of Adam Neely and Shawn Crowder. Some of you may know both of them from their respective YouTube channels, but for those of you that don’t, I highly recommend checking them out. … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares started a new band together, what kind of music would you expect to come out? Now, I don’t know every band from that list, but considering the bands I do know I would probably just frown a bit, because they … Read more
Talk Show Host is a power-pop group from Toronto. And while it’s chock-full of those pleasant, soaring melodies expected of the style, the band establishes its tone early, showing there are some teeth behind the smile with opening track “You Asshole!” Songs like the lead track, “Crisis Actors” and “Warmest Condolences” defy the idea that pop songs are empty, instead … Read more
When it comes to what is referred to as “post-punk” and repetitive-driven guitar sounds accompanied by tense, circular bass lines and grimy, otherworldly vocals with the an enigma of a frontman meandering through tropes of British magic realism that seemed to be fuelled in equal parts by uppers and downers, you cannot go past The Fall. After the untimely demise … Read more
If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end … Read more
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