I Against I
Small Waves
White Russian Records (2018)
Last year White Russian Records made me very happy by releasing Travoltas’ comeback album Until We Hit The Shore, which ended up being my favourite record of last year. Next to a couple of interesting up and coming bands White Russian Records is now releasing another comeback album of another Dutch punk legend: I Against I. Legendary in part because … Read more
Immortal
Northern Chaos Gods
Nuclear Blast (2018)
Immortal’s career hasn't been the smoothest of rides their ninth full length comes after a protracted and tense battle with founding member Abbath, who finally left the band in 2015 before the Norwegian black metal masters could continue work on a follow up to 2009s All Shall Fall. The problems stemmed from who actually owned the rights to the Immortal … Read more
Jack White
Boarding House Reach
Third Man (2018)
Jack White has always been his own man. With The White Stripes, he cultivated a strong persona - turning blues guitar on its side and reworking what would normally be tired rehashed riffs and making them into something new and shiny for impressionable young ears.His first two solo albums, Blunderbuss and Lazaretto continued this tradition, giving the millennials a fresh … Read more
Jesse Dayton
The Outsider
Blue Elan Records (2018)
Powerful, bottom heavy, but good headlamps. She loves to look good, but also can build an engine; loves fancy dress, yet plays in the mud. She’s drive-able in the city, and capable of off-road adventures. As much as country music loves the Daisy Duke, and the General Lee, symbols stereotypically good, The Outsider locks into enough country to forgive its … Read more
John Prine
The Tree of Forgiveness
Oh Boy Records (2018)
John Prine's first album of new material in 13 years is a great place to start with the legend’s career, as it kind of covers the ground of the sometimes funny, sometimes terribly sad songs he’s known for. Working with Dave Cobb (known for producing both Jason Isbell and Chris Stapleton) Prine focuses on the mundanities of everyday life, and … Read more
Johnny Marr
Call the Comet
New Voodoo Records (2018)
With the release of his latest effort Call the Comet, Johnny Marr solidifies himself as one of the strongest solo artists in music today. However, no one seems to know this as he is forever in the shadow of his former bandmate Morrissey, who manages to cover-up substandard songwriting with endless media-grabbing pull-quotes and tour cancellations. Call the Comet is … Read more
Jon Spencer
Spencer Sings The Hits!
In The Red (2018)
Garage rock is a term that no longer gets a lot of usage - dissipating into the ether after the resurgence and seeming demise of the genre around the mid-00s. The thing is, it never died. We just forgot where to look. And when it comes to unabashed, unapologetic garage rock, you need look no further than Jon Spencer. He … Read more
Kaada
Closing Statements
Mirakel (2018)
Whimsical/ˈhwɪm·zɪ·kəl, ˈwɪm-/adjectiveUnusual and alluring. Using imagination in a playful manner.This is admittedly, not a word that would typically be used to describe an album written around final moments before death, but somehow, in the hands of John Erik Kaada, it becomes more apropos with each listen. Closing Statements is about those final words, breaths and thoughts but remarkably eschews the … Read more
Kacey Musgraves
Golden Hour
MCA Nashville (2018)
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – slices of contemporary country that don’t sound like shit and hint at something greater and more progressive. Hint no more. Golden Hour is Musgraves best and most fully realized record, one that transcends country, or any genre really, with the … Read more
Katie Ellen
Still Life
Lauren Records (2018)
What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in … Read more
Kississippi
Sunset Blush
Alcopop! Records (2018)
Philly duo Kississippi released their anticipated debut album Sunset Blush and unlike some records, it lived up to the hype. The album starts off with the song “Once Good,” perfectly blending elements of indie and folk with Zoë Reynolds’ voice beautifully texturing the track. “Cut Yr Teeth” is a sonically dreamy track complete with stellar lyrics. Reynolds is mesmerizing as … Read more
Kitten Forever
Semi-Permanent
Independent (2018)
Kitten Forever are staples of the Twin Cities DIY scene. They also tour nationally and have received a good share of recognition for their unique merger of party punk and vitriol. Overall, the three-piece plays fuzzy, stripped down ragers that alternate between screaming frustration and bopping good times. Semi-Permanent is their fourth full-length and the general tone over the 11-song … Read more
Kollegah
Monument
Alpha Music Empire / Warner Music (2018)
The last few years have seen a good amount of great German hip-hop albums, however, now there is Monument. Kollegah’s previous emissions are outstanding, but the way he bookended the rollercoaster ride that the year 2018 proved to be for him is the evolutionary apex of an artist who has honed and refined his craft over the last fourteen years, … Read more
Krakow
Minus
Karisma Records (2018)
What is this? Metal? Sure, but how and what do I classify it? Krakow combines a few eclectic styles to overtake metal and spin it into a unique sound—something that takes time to digest. It has distorted guitars, yes, rough vocals, yes, screaming, yes. When metal stops being so self-conscious hiding in a mask of distortion, dials it back 30 … Read more
La Armada
Anti-Colonial Vol. 1
Creep Records (2018)
I usually lean more melodic than heavy in my daily listening. But there’s a time and place for everything, and La Armada definitely hit that craving for pure vitriolic aggression. The Chicago by way of Dominican Republic band play metal-tinged hardcore that’s blunt, brutal and angry. While there are metallic influences in the guitar, the songs are always under 3-minutes … Read more
Landfill Crew
Landfill Crew
Pirates Press (2018)
I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m … Read more
Legend of the Seagullmen
Legend of the Seagullmen
Dine Alone (2018)
It's easy to be complacent with side projects. At worst, they're self indulgent jam sessions repackaged and sold to indifferent masses. At best, they tend to be self indulgent jam sessions repackaged and sold to the accumulative fanbase of assembled band members.Where it seems to differ with the side projects of Mastodon band members, is they really seem to be … Read more
Madball
For The Cause
Century Media (2018)
30 years is a long fucking time. Those of us fortunate enough to break into our 30s know the wisdom and fragility that comes with clicking into that next decade of life. Things hurt more, from hangovers to inexplicable body aches. That said, we are also wiser, having learned from many of the mistakes we made in our early days, … Read more
