The Maine
Forever Halloween
Rude Records (2013)
Halloween can be an inspiring topic for musicians. The Misfits' "Halloween" evokes dark autumn evenings with snarling vocals and captivating riffs, while AFI's Misfits-influenced All Hallows EP is a punk-rock filled love letter to the holiday. The Maine's Forever Halloween takes a sombre look, presenting Halloween as an emotional state and not just a passing holiday.So far three singles have … Read more
The National
Trouble Will Find Me
4AD (2013)
DISCLAIMER: Readers, a bold claim is about to be made. The National’s Trouble Will Find Me could, quite possibly, be as essential as air. Tread carefully, the sheer force of the overwhelmingly mournful nature of this album may surprise you with its taciturn but fitting attempts of disbelieving optimism. Happiness is not The National’s forte, but tussling with overbearing emotions … Read more
The Night Marchers
Allez Allez
Swami (2013)
Sophomore records tend to bring a unique level of apprehension: has the artist changed; can s/he maintain the momentum from the first release; etc. Night Marchers—led by John Reis (Rocket From the Crypt, Hot Snakes) and rounded out with another two Hot Snakes members, Gar Wood and Jason Sinclair and the not-to-be-overlooked Jason Sinclair (Delta 72, Mule)—do not face such … Read more
The Obits
Bed & Bugs
Sub Pop (2013)
Obits don’t offer many surprises on Bed & Bugs, but that’s never really been the expectation. In a long lineage of bands, Rick Froberg has defined a distinct sound and this, Obits’ third full-length, doesn’t offer many deviations. The success of Obits comes through classic, big r’n’r chops. It’s about taking the familiar and playing it in a new, memorable … Read more
The Ocean
Pelagial
Metal Blade (2013)
The Ocean, the German post-sludge-metal act masterminded by guitarist Robin Staps, is one of the most consistently high-quality bands in metal today. Ever since Fluxion and Aeolian, Staps has led The Ocean to even greater heights with each release, never settling for anything less than hard-earned perfection. Their latest release, 2013's Pelagial, is no exception.Musically, Pelagial continues where Heliocentric and … Read more
The Octopus Project
Fever Forms
Peek-A-Boo Records (2013)
When did the Octopus Project add vocals? Well, it’s not exactly a lead singer—think more along the lines of Black Moth Super Rainbow (with whom they released a collaborative record in 2006)—it’s mostly loops, reverb, and effects, but it really changes the dynamic of the four-piece group from Austin, TX.Dubbing themselves “experimental pop,” Fever Forms is their fifth full-length and … Read more
The Psyke Project
Guillotine
Swarm Of Nails (2013)
The Psyke Project have been terrorizing the metallic hardcore scene since the mid 00s. With their albums steadily increasing in quality, and considering that the quality has been set quite high even with their debut album, Samara that really means something here. The dark sound of the band came into full realization with their sophomore album, Daikini while their utter … Read more
The Ruins of Beverast
Blood Vaults The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum Evangelium Flagrans Henrici Institoris)
Ván (2013)
On first listen of The Ruins of Beverast new record Blood Vaults – The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum – Evangelium Flagrans Henrici Institoris) you pretty much fall in love. On repeated listens however, you find much to dislike about it. It’s too long, there’s too much happening, there’s too much weird stuff going on. While weirdo black … Read more
The Sensibles
A Bunch Of Animals
Rijapov (2013)
The opening track to The Sensibles’s first full-length album is entitled “Happy,” which may be the most self-descriptive name I’ve seen in ages. I was hooked immediately—not just from the first song, but from the first few exuberant drum beats. The Italian pop punk/punk rock band is still relatively fresh on the scene, having only released one 4 track EP … Read more
The Shame
The World Is Ours
Profane Existence (2013)
Profane Existence kicks off their Limited Edition Single Series—a subscription service that delivers a new 7” each month—with The World Is Ours, a brand new EP by the The Shame. Considering The Shame are an Oi! band, it seems like an odd selection for a label that deals primarily in anarchist-fueled crust punk and metal. However, it’s not completely outside … Read more
The Silks
Last American Band
Independent (2013)
When I first caught The Silks playing in a friends living room I was amazed at the raw energy these guys bring to a live show and as we have learned time and again, one of the hardest things to pull off as a record producer is to capture that sound and feel in the studio. Well I'm happy to … Read more
The Slow Death
No Heaven
Rad Girlfriend Records (2013)
If you haven’t heard of The Slow Death by now, you probably aren’t as depressed as the majority of us. Luckily their new album No Heaven hits the spot for the more cynical listener. Which, lets face it, punk rock has never been about sugar coating the bullshit that comes with life. If it wasn’t the album cover with a … Read more
The Strokes
Comedown Machine
RCA (2013)
The Strokes have paved way since brushing the scene in 2001 with their instant garage pop classic, Is This It. What was an unlikely return a decade later, releasing Angles after a near five-year hiatus, the band evolved electronically. Undoubtedly influenced by frontman Julian Casablancas - following his solo synthpop debut, Phrazes for the Young, during the break - this … Read more
The Tangent
Le Sacre du Travail
Inside Out (2013)
If there's anyone who can make the mundane interesting, it'd have to be progressive rockers The Tangent. As evidence, I cite their newest album, Le Sacre du Travail (The Rite of Work), which is a five-movement, hour-long piece of music encapsulating the variety of emotions in the typical Westerner's work day.And it certainly succeeds at that project--bland concepts and trivial … Read more
The Tossers
The Emerald City
Victory (2013)
The Tossers top out my list of Celtic punk bands. Dropkick Murphys turned into cartoons long ago and I’ve just never been that big a fan of Dave King’s (Flogging Molly) voice. The Tossers, who call Chicago home, bring a mix of emphatic punk energy a la Flogging Molly, but blend it with a traditionalist sense found in, who else,The … Read more
The Transplants
In A Warzone
Epitaph (2013)
I grew up on Rancid and they introduced me, eventually, to a much wider world of punk rock than what I caught on late night Headbangers Ball and 120 Minutes episodes. Or, for those who didn’t get where this is going from that intro sentence: I feel that I have to qualify why I’m listening to In a Warzone, the … Read more
The Wild
Dreams Are Maps
Asian Man (2013)
Maybe Defiance, Ohio are the height I hold the folk-punk genre to, maybe it’s just that they’re the first such band to really click with me. Regardless, on listening to The Wild’s second full-length, Dreams Are Maps, I find myself making several comparisons. Given the context that’s a good thing. Given the band’s overall sound, well, there are also some … Read more
The Young Leaves
Alive And Well
Baldy Longhair (2013)
After a successful gig at Fest 12 last month the Massachusetts based power trio The Young Leaves will hit the road to support their third release Alive and Well. With this release the band shows its here for the duration and also shows growth in their songwriting, musically the band is sounding louder and better than ever. A three piece … Read more
