Bleaklow
The Sunless Country
Independent (2011)
Though a lot of post-anything music can, using a single theme, reach past the 10 minute mark without necessarily becoming repetitive or stale, there is still a point where too much is too much. You can only listen to embellishment and variation on one theme for so long before you start to go mad and beg for some variety. I'll … Read more
Blsphm
Prayer
Dead Accents (2011)
Where did all the artists and bands and projects come from that are attempting to project this bleak hopelessness and horrid despair (well, maybe I am just taking notice of it because Black Metal musicians have been doing it for ages it seems), and why do so many of these musicians just fall so completely short of actually conveying any … Read more
Blueneck
Repetitions
Denovali (2011)
I wanted to write an introduction that accurately conveyed the sound of Blueneck's new album Repetitions, but my editor wouldn't let me write in size 2 font. Stupid "legibility" rules.I'm not kidding about the comparison, though; Blueneck's brand of post-rock is even lighter than Sigur Rós, featuring incredibly minimalist instrumental and vocal arrangements. Sure, the pieces swell and (eventually) get … Read more
Bohren & Der Club Of Gore
Beileid
Ipecac (2011)
Bohren & Der Club Of Gore is a band that has always sat outside of any distinct genre. Clearly influenced by both jazz and doom metal the band have always played in away that evokes both without fully giving into either side of their coin. Although they have reached closer towards jazz over the past few years when they replaced … Read more
Bon Iver
Bon Iver
Jagjaguwar (2011)
The fact that this album is self-titled is really surprising. A self-titled album usually represents and displays everything the artist embodies. Their most predominant musical characteristics, if you will. For Justin Vernon, Bon Iver is not his standard modus operandi. It’s way better than that.The album starts off with “Perth,” a really powerful introduction to the journey you will be … Read more
Boris
Attention Please
Sargent House (2011)
I absolutely love Boris' work ethic. Four new albums of fresh material in one year is more than anyone should be able to ask of any artist whose name is not either Buckethead or Senmuth, and their dedication to stylistic diversity is a commendable trait that's generally unheard of in modern music. What's more, Boris have a history of significantly … Read more
Boris
Heavy Rocks
Sargent House (2011)
Boris' sound is defined by their insistence on rocking the fuck out. Their earliest works, like the classic albums Heavy Rocks and Pink, revolve around taking heavy metal and, to borrow from Sp?n?al Tap, taking it up to eleven. These albums have an absolutely huge, dirty quality to them that leaves Boris' peers in the dust. So Boris released their … Read more
Boris
New Album
Sargent House (2011)
New Album is a bit of a misnomer, at least on this side of the pond. It was actually released all the way back in March in Japan, two months before Heavy Rocks and Attention Please were released globally. The rest of the world had to wait until November to get their paws on it. Somewhat frustratingly, there are actually … Read more
Brainkiller
The Infiltration
RareNoise (2011)
I was actually quite excited when I heard the trio Brainkiller's new album, The Inflitration, described as a mix between jazz, prog, and psychedelic music. I listen to a fair amount of all of those genres, so I thought it shouldn't be a half-bad listen at all. I retrospect, I suppose I should have thought it over a bit more: … Read more
Bright Eyes
The People's Key
Saddle Creek (2011)
When word broke out that Bright Eyes would be writing one final album before retiring the moniker—expectations were set pretty high. Since then, the band has retracted that statement. However, if The People’s Key ends up being the last we hear of Bright Eyes, then they conclude the story with a highly refined final chapter.The album opens with the first … Read more
Bringers Of Disease
Gospel Of Pestilence
Translation Loss (2011)
The ex members game is a precarious one to play. For every band that bares similarity to it's members past exploit there are just as many that don't bare that mark. So to tell you that Bringers Of Disease share members with Acheron and Mouth Of The Architect should only say a minimal amount as to what this band is … Read more
Broken Gold
Recovery Journal
Volcom (2011)
When a band names their record Recovery Journal it should come as no surprise that the dominant impression is one of earnestness. Broken Gold is the Riverboat Gamblers’ guitarist Ian MacDougall’s project, drawing from varied personal experiences with recurring themes of alienation, heartbreak, and addiction—some drawn from his experiences after his bicycle was hit by a car in October 2009, … Read more
Bubonic Bear
Fleshworld
Sloth Tapes (2011)
Over several very under the radar releases (EPs, splits, half lengths, etc.), the dynamic duo that makes up Bubonic Bear unleash Fleshworld on a mostly unsuspecting audience that (despite lots of touring and tons of shows) still have yet to experience the crushing doom-y noise-y sludge that has become this group’s trademark for audience destruction (I always thought of the … Read more
Buck Gooter
Devil Worship
Flannel Gurl (2011)
When I think of Devil worship I think of all the scary stuff from my youth. I think of serial killer known as "The Night Stalker", Richard Ramirez. Perhaps the most famous Devil worshiper of the era, he had a propensity for heavy metal—flashing the horns while in handcuffs—a pentagram tattooed on his palm—and quotes like, “I love to kill … Read more
Buffalo Moon
Black Magic/Low Tide Moon
Moon Glyph (2011)
At their heart, Buffalo Moon plays whimsical indie pop with a playfulness that is grounded by moments of straight-faced seriousness. Of course, “whimsical indie pop” is among the vaguest descriptions I could give. Delving deeper, the band blends a number of styles, drawing primarily from previous generations. The most notable elements come from the 1960s: bossa nova, samba, a touch … Read more
By Surprise
Mountain Smashers
Topshelf (2011)
Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a … Read more
Caïna
Hands That Pluck
Profound Lore (2011)
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Cannabis Corpse
Beneath Grow Lights Thou Shalt Rise
Tankcrimes (2011)
You may think you know everything there is to know about Cannabis Corpse. Which is two things (maybe three if you're into Municipal Waste - as they share Philip "Landphil" Hall in common).They love Cannabis And Cannibal Corpse. Whilst these two statements are more than true, Cannabis Corpse are a damn fine band in their own right and Beneath Grow … Read more
