Supernova is the first album from Today is the Day, which was originally released in 1993 on Amphetamine Reptile Records. Being out of print for quite sometime, Steve Austin (vocalist, guitarist, main songwriter of Today is the Day and producer of Converge, Lamb of God, and others) is re-releasing this on his own label, which interestingly enough is named from … Read more
Today is the Day provide us with another reissue of an out of print album, their third full-length, Today is the Day. This album is also significant because it is the first one that the group produced on their own at Austin Enterprises (the recording studio of the group's mastermind, Steve Austin). This self-titled effort also marks a significant lineup … Read more
I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies … Read more
Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial amount of praise/coverage for it's less than twenty-minute run time, showing a glimpse of energetic indie pop somewhere between a dance party and a rock out that, despite it's length, made it one of the best releases of 2006. In … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their brilliant live shows. They then released their first album to critical acclaim and became a major Internet buzz band. Tokyo Police Club has returned in 2007 with a short but sweet three song EP that is the follow up to … Read more
Synergy is a tough sell I know because the concept is completely abstract for some, but when I first heard about Mothhunting, I was immediately intrigued and excited by just how this release was described to me; being told that the music and the artwork and how they work together just fits so well is exciting to me (being jaded … Read more
How many national music treasures come from the United States? You know those ones that are still alive that you can point to and say that our musical culture would be less without their contribution, and I mean, yeah, there is Bob Dylan, possibly the Boss, Iggy Pop; but I would be willing to place one Thomas Alan Waits up … Read more
When Hank III goes on tour, he leaves no stone unturned, playing anywhere that would have him: cities, towns, hamlets, burgs and more than a few Native American reservations. This had quite an impact on Hank's then touring guitarist, ex of the Jesus Lizard and future Tomahawk co-founder Duane Denison. The music he would hear while on the reservations left … Read more
It would be nice if art could exist in a vacuum. I’m certain that a person finding Tomahawk randomly on YouTube or Spotify or whatever would have far different opinions than somebody who has known of Mike Patton since Faith No More’s The Real Thing blew up, which is probably like fifty albums ago in the Patton discography. Personally, Tomahawk … Read more
Since their inception back in 2007, Tombs have been in a phase of constant turmoil. Band members have been changed multiple times, with mainman Mike Hill the only original member still in the band. A similar sort of change has been undergoing along the works of the band, with their style. Starting out as a post-black metal act with the … Read more
Tombs is the latest project from Mike Hill (former member of the criminally underrated bands Anodyne and Versoma). Tombs seemingly picks up from where Hill's last and short lived project Versoma left off with their EP Life During Wartime; this short, seven song EP is a good starting point for Tombs with its thick guitars and loud sound. Opening with … Read more
Following their promising self-titled debut and their split with the European band Planks, Tombs drops Winter Hours (their debut for new label Relapse Records) onto an increasingly anticipatory public. Mike Hill (guitarist and vocalist) assembles a new lineup for this album, possibly out of necessity due to attrition or maybe just to possibly add different sounds to the band's palette. … Read more
Santa Barbara four-piece Tommy & The High Pilots first formed five years ago in 2008. In that space of time they have released two albums (with Only Human being their third) and an EP. Most of Tommy & The High Pilots' songs are, at their core, slices of catchy pop with sun kissed Californian guitar licks. But like every pop … Read more
In the long-honored tradition of solo records from Guns N’ Roses members, Tommy Stinson delivers One Man Mutiny. Of course, Stinson has an intriguing back story—he joined the legendary Replacements at age 13, playing with them and even getting manager Peter Jesperson to sign off as a legal guardian for touring’s sake. But that was thirty years ago. The purpose … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko Omura. Tomoko’s works span a fairly vast territory, encompassing areas from jazz, modal jazz, post-bop, Japanese folk, gypsy music, and fusion with varying musicians. Branches Vol. 2 is the physical and spiritual successor of Branches Vol. 1. I actually never … Read more
Tomorrow We Sail is the perfect title for a band that seemed to have taken me on a journey. From the moment I turned on song one, “The Well & the Tide” I felt like I had been swept on an adventurous trek through mountain and sea. I closed my eyes and imagined myself in places I’d have seen on … Read more
Tomydeepestego are an Italian instrumental band that began writing music in 2006. The press sheet that accompanied Odyssea boasts that the band combines aspects of Neurosis, Isis, Pelican, and Mogwai, and that they have opened for Cult of Luna and Red Sparowes. Name-dropping these artists - plus seeing that Robotic Empire took care of the U.S. distribution - definitely caught … Read more
A nice little seven song ep of mid-tempo and introspective punk rock for us dads in our late thirties. These guys seem to have been around for some time but are new acquintance for me. And a pleasant one too, when I want to listen to hardcore with some thought behind it but that isn’t full-blast in-your-face aggression.Don’t get me … Read more
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