Tolerable but tossable. This CD is filled with that modern hardcore edge mixed with pop melodies that the kids are going nuts about these days. This is nothing new in anyway, but it does have a few catchy songs. The background singers are sub-par, while the frontman pulls off some decent screams most of the time. If you're a fan … Read more
I know this band is something-core; I am just not sure which one. With song titles like "Love To Hate, Hate To Me", "The Shooting Star That Destroyed Us All" and "A Song for a Broken Heart", you almost know what to expect. It's got the high-powered crunching guitars, tantrum screams, and wait, what's this? An emotional breakdown with twinkly … Read more
The most fun thing I found with this CD were the song titles. The music itself combines "emo", metalcore, and pop to make something that is radio friendly and "edgy" at the same time. My favorite part about the music is the screaming, but it gets destroyed by the whiney backups that quickly become an ear sore. I don't like … Read more
AFI's trajectory over the last twenty and more years has been one that emulates growth and experimentation and the quartet that once sang about not being allowed a mohawk is now one that that sings about much darker, twisted subjects (although in more obvious terms than they once did). Still led by the effervescent Davey Havok, AFI are a band … Read more
Album number ten for the ever-evolving Californian four piece, whose shift in sound from skate punk to hardcore to "goth punk" to pop-influenced radio rock to... whatever 2009's Crash Love was... is well documented. And now here we are, after the gritty, aggressive Burials: a self-titled album also known as "The Blood Album".At first listen it's not too dissimilar from … Read more
The precursor to Decemberunderground was that it was a change from what AFI have offered before. Of course, all that is to be expected. The AFI paradigm has some inbuilt concept that they must always change and evolve. Antecedents of more electronic elements, with VNV Nation's Ronan Harris drafted in to help, even more epics and some threat or other … Read more
For AFI, the name of the game has always been about evolution. About "out-doing" themselves one time after another. I can't say that they haven't, because each record has had it's own significant changes, some more noticeable than others, but they still retain part of their roots. Decemberunderground retains the (usually) well-placed aggression and excellent pop sensibilities that were present … Read more
AFI managed to write over 100 songs for this album. That's an amazing feat for a band, right? But anyone can write a catchy song. If a band has to write a hundred songs and then choose the best ones, think of all the crap that had to be weeded out, or maybe it was quite the contrary. "Reivers Music" … Read more
There are certain phrases that seem to be ever-present in AFI reviews across the music journalism world, suggesting either a lack of originality on the writer's part, or merely a convenient pigeon-hole that the band fall easily into. Either way, let's get some of them out of the way now:goth-punkdark popgloomycatharticThe CureThe MisfitsgothRobert Smithgoth-rock"that girly singer" Okay, now those are … Read more
I picture AFI as a scale that must be kept even at all times. If you take a checker from one side, you better take one away from the other. On this album, they have gained something, but also lost something else. No more are the bouncy 'whoa-oh' charged anthems, instead they have been replaced with a bit more intelligent … Read more
AFI's newest full length. Since everyone who works on this site has been a member of the AFI community at one time or another, you'd think it'd score 10's. Seems to not be the case so far. I can't say I'll be an exception but that is not to say this record is bad at all. On the contrary actually. … Read more
"Oh my God, my God this can't be happening! AFI has signed to a major!" Is an example of a popular reaction to the announcement last year that that AFI would be releasing their sixth full-length, Sing the Sorrow, on Dreamworks records. Anybody without a huge bias towards the record before it was even released, however, will soon realize that … Read more
Punk rock has always been centered on the voicing of ones opinion, with the vast majority of those opinions taking direct aim at politics. In the 70's and 80's, leaders like Jello Biafra and Joey Shithead got so involved in political happenings that they found their way into jails and courthouses on frequent occasions. These encounters only added further fuel … Read more
Not many albums open with a song like "Brianstorm." I'm talking Dick Dale on angel dust. I'm talking a sentient '68 Ford Mustang playing a sentient '68 Fender Mustang. Seriously, surfboards in the seventh dimension. The future of rock and roll, so retro it makes me want to dance like a Pulp Fiction character. Actually, Pulp Fiction came to mind … Read more
If I am to believe Wikipedia.org, this album is one of the greatest albums ever released. If I have to believe Wikipedia.org, this band is one of the greatest ever to spawn from the United Kingdom. If I have to believe the professors at my school, Wikipedia.org should never be trusted - and damn, they're absolutely right. Favourite Worst Nightmare … Read more
What's wrong with more of the same, especially when what you've got is solid? If you're dating Scarlett Johansson, is Demi Moore really an improvement? Unfortunately, Black Cross' newest, Severance Pays, makes me question my acceptance of change and long for their days as a four-piece. With Evan Paterson's move from bass to guitar, Black Cross seems to have moved … Read more
Where the hell have you been for the last four years Black Cross? The circumstances that have hampered this woefully underrated band need not be espoused because it really does not make a difference; the fact remains that Severance Pays has been a long time coming, and thankfully it hits in ways that are completely unexpected and leaves a definite … Read more
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