In this current age of ‘80s hardcore worship overload, it’s refreshing when something this original comes along, even if said originality is the result of a convergence of styles. Phoenix, AZ four-piece Gay Kiss grind and groove forth with teeth-clenching, throat-ripping, temple-piercing rage on their new LP, Preservation Measures. The production is slick but not glaringly clean; perfect for the … Read more
It’s ironic that an album entitled World’s Strongest Man should show Gaz Coombes at his most vulnerable, but that’s precisely the point. Subverting expectations as both an artist and a man is a theme that runs throughout. It should then come as no surprise to hear that the album is said to be partly inspired by Frank Ocean’s Blonde - … Read more
GAZER is a new band hailing from Cincinnati, Ohio. On their debut EP, Phone Commercial, they use a combination of noise and punk to rock the sound-waves. However, they could benefit from a reduction on the noise. The first track, "I Passed The BAR," has a good groove going on with screechy guitars that blend perfectly with distorted bass lines. … Read more
General Surgery has taken a ton of shit over the years. Most of it regarding the band being derivative. The band that gets thrown into every article about General Surgery? Carcass, yeah that Carcass, the British institution of brutality. One can't accuse General Surgery of not wearing their influences on their collective sleeve. So beyond that the band has managed … Read more
Austin, Texas never disappoints when it comes to being a hotbed for great independent bands and Gentlemen Rogues is no exception. With their Do the Resurrection 7” they showcase not only their weak spot for fuzzed-out guitar driven pop punk, but also their song writing expertise reminiscent of the better moments of acts like XTC, Gaslight Anthem, Teenage Fanclub and … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Ah here we go, something a little more my style. Get a Grip play tough hardcore with a slight get-low feel coupled with the constant hammering of Integrity or maybe the Cro-Mags but not nearly as metal. There's a couple of guitar solos from time to time and tons of mosh parts. If you are into newer heavier hardcore bands … Read more
Buffalo, NY's Get Back Up unfortunately sounds like every other new school hardcore band out there playing in local venues across the United States and probably Canada. They sound like a mixture of the heavy handed emotionally drone of Modern Life is War and the crunchy 90's hardcore metallic speed inspired Have Heart. I enjoy what I'm hearing as the … Read more
From the German label that has been specializing in generic youth-crew since the early 90's comes yet another five song 7" of finger pointing stage diving positive hardcore that will have you singing along in no time. Ray Cappo yelps included. Get the Most has ex members and current members of Blue Monday and Go It Alone for those keeping … Read more
Rock with horns that isn't ska? Oh, thank god. Ghost of the Russian Empire's debut EP, With Fiercest Demolition - produced by Erik Woffrod (Explosions in the Sky, Voxtrot) - is six tracks of catchy, but not poppy music. There's definitely a Radiohead-esque aspect about this group of Texans (imagine Thom Yorke and company before they started mingling heavily with … Read more
Ghostlimb is a project spearheaded by Justin Smith of Graf Orlock. Bearing and Distance is the band's second full-length release and first for Level Plane (vinyl was handled by Adagio). Whereas Graf Orlock takes a novelty approach to grindcore, Ghostlimb takes a more direct and serious approach to hardcore. In fact, the band's sound has a lot more in common … Read more
Giant Haystacks play really jangly indie rock. It's like a mix of Minutemen with The Jam trying to play early R.E.M. songs. This is probably nothing I will ever listen to again after this review but it's good for what it is. It's awesome they took their name from the legendary English wrestler. Read more
It's been almost ten years since Mogwai released their now classic debut Young Team and still countless younger bands are trying to emulate that almost entirely instrumental, post-everything sound that relies just as heavy on ambient noises as it does on actual musicianship. I give praises to Gifts From Enola for actually creating a disc that shows some promise of … Read more
Another week another supergroup, right? Wrong. Nothing is expected on Broken Lines, the debut album from Giraffe Tongue Orchestra (GTO) - the new band featuring Brent Hinds from Mastodon, William DuVall from Alice In Chains, Ben Weinman from Dillinger Escape Plan and Thomas Pridgen, formerly of The Mars Volta.With such an assortment of characters, the over/under on a crazy weird … Read more
See: Obscurus Advocam Just kidding. But let's face it. They are pretty interchangeable, no? Both bands are the vision of French musician Infestuus. Both bands are all just too melodic. Now, call me old-fashioned but melody has no place in black metal. Bleak, sure. Twisted? Frightening? Suffocating? These are all bad adjectives for relationships, yet all good adjectives for heavy … Read more
With an extremely downbeat and aggressive sound, Austin, Texas four-piece band Glue follows up their noisy and vulgar 2012 demo with a 2014 self-titled 7” that picks up right where the demo left off. The first of four tracks featured here is the brief “Enemy,” which operates at a moderate pace and includes a sort of diabolical, horror movie chord … Read more
This eight-song EP is completely and utterly awesome. I really wasn't expecting much from former Christie Front Drive guitar player Eric Richter since last I heard he was in the coma-inducing Antarctic. However, Golden City is just great. I'm having a hard time expressing just great these eight songs really are, but I'm going to try, really, I am. Imagine … Read more
Men in their late-thirties making vague statements about the future's uncertainty under the guise of it being punk rock, there's something concerning about this. It's as if their quarter-life crisis is stretching into mid-life, arresting their development into adulthood. Hello Destiny, the newest album by Goldfinger, finds the SoCal band exactly in this position, angry at the world, rehashing the … Read more
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