Sometimes, a band comes along and knocks you off your feet. As you begin to listen to them, you think to yourself, "Damn, this is pretty good." But after the third or fourth listen you can't help but want to hear the songs over and over again, and you'll rewind in the middle of a song just to hear one … Read more
Time lapses between albums can be a tricky phenomenon and this tends to ring especially true for punk and hardcore bands. The conventional wisdom holds that return albums are lackluster and leave longtime supporters wishing the band simply played shows and left their recorded legacy in tact. But H2O never adheres to convention. Their widespread appeal is a result of … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. Soul Control sounds like 108 mixed with Quicksand and it's all awesome. "Focus" is one of my favorite songs of 2007. This song just fucking jams in all its noisy post-hardcore brilliance. I Rise also play melodic post hardcore with … Read more
The fact that this record’s release coincided with me preparing for and subsequently taking a vacation, and you know, having a life outside of writing record reviews, means you’re likely reading this well after numerous other Internet outlets have exhausted every possible way to dissect You’re Nothing, the sophomore outing by Denmark’s Iceage, and still come up with the same … Read more
In 2002, Bob Fairfoul walked out of Idlewild with a rain of misdirected punches. From that moment, it seemed impossible that the next album would be anything other than either a return to an older, easier sound, or a radical change. When bassist Gavin Fox from Irish band Turn and long-term tour guitarist Allan Stewart were drafted into the new … Read more
"Raw Power’s got a son named rock n’ roll" Leave it to Iggy Pop to both boast about this record and succinctly describe what an album’s impact would be on music. Seriously, look at the cover to the album, and I mean REALLY look at it; get it out of your collection and look at it, and if it is … Read more
Hail the almighty Integrity and their decision to remix and re-master their classic hardcore album Systems Overlord after teasing us with rumors (when do rumors not swirl around this outfit really) for what feels like decades of an “original mix” of the album that was not what Victory Records used for their ultimate release of the record; the only way … Read more
Growing up on a steady diet of Sabbath, the darker aspects of music always held so much appeal to me. Yeah, I liked punk rock, still do, but I was looking for something heavier, darker, and as cheesy as it sounds, more evil. I am not talking about Slayer's fake evil. I am talking about visceral scare the shit out … Read more
Instrumental music that doesn't bore one to death is hard to come by, especially in a world like today. There are handfuls of bands attempting the instrumental sound and failing miserably. There are others of course that do succeed in such risky endeavors. Luckily for Irepress they are one of them. Instrumental bands have a tendency to bore an audience … Read more
Despite what the calendar may tell you, Christmas has arrived early this year, though much earlier than expected. To my doorstep came a US Postal Service delivery man bearing a package with my name and the Hydrahead logo on it, instantaneously I knew exactly what dwelt inside. I politely thanked Santa, who apparently goes by the name of Tom these … Read more
When music historians look back on the first decade of the 21st century, they'll no doubt highlight the dazzling array of pop musicians daring to innovate. Those producing music which both reinvents and creates, challenging conventions and spinning concepts and long-term constructions around their work. Except, of course, they won't. Pop has been sadly lacking of late, with depressingly little … Read more
Blues is a word all too easily thrown around these days; attached to the current clique of US indie bands, "bluesy" has become just another overused adjective used to describe over-hyped bands that don't actually sound all that bluesy. Jawbone, however, a one-man band from Detroit, actually does, mixing those blues up with splashes of punk guitar and garage rock, … Read more
Okay, I am saying it. This just might be my number one album of 2007. Whatever I thought of Jesu prior to this record went completely out the window. Conqueror is absolutely breathtaking. The audible space that this record fills up is mind-boggling. It is lush. It is sweet and pretty. I am listening to it over and over again … Read more
A year ago, Jesu was only a blip on the radar for most of the music world. And then, as if out of nowhere, Justin Broadrick emerged from the swirling rumors in the darkness with his latest project in the form of Heart Ache, a forty minute EP comprised of only two tracks. While the acclaim was limited at first, … Read more
It's no great feat to experiment sonically and stretch musical taxonomy into another "-core" (clarinet-core, pots-and-pans-core, sit-on-a-synth-and-fiddle-core). We aren't afraid of strange, so long as it's strange enough to earn a fucking modifier - fucking out there, fucking bizarre, fucking genius, man. However, the moment we can't rationalize an artist's eccentricity into concrete, tangible terms - political, intellectual, or conceptual … Read more
With the imminent release of Control the bio-pic of frontman Ian Curtis, the death of Tony Wilson, and former members Hooky and Barney making the news by squabbling over the name New Order, there again seems to be a large rise of interest in one of the most pioneering bands this world has ever seen - Joy Division. Being ones … Read more
Who has never seen the iconic (OK, iconic in the hardcore punk scene) crossed hammers logo (that shaped an “X” ) of the band Judge? Judge ultimately proved to be a short lived musical unit that produced just one album Bringin’ It Down (discounting the very limited release of Chung King Can Suck It which in it of itself has … Read more
It starts off inconspicuously enough, a series of instrumental swells that set the sombre and dark mood for the rest of the album. And then the growls enter, delivered as if part of a spoken word piece, each individual syllable pronounced as if there was all the time in the world. The swells become broader and more intense, a series … Read more
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