When I first heard the NY band Timeshares, I knew they were going to be a punk band to lookout for. After excessively playing the few songs they had and their split with Captain, We’re Sinking, the guys finally released their first LP Bearable. I have to admit—it was definitely worth the wait. Each song off of Bearable varies in … Read more
Tiny Empires seek to build something new; something powerful, significant, and memorable, just as the name suggests. With their debut record Weird Headspace they’re doing just that. It’s big, grasping, and expansive work.It’s also out of the ordinary for the scene in which it originates.Lead by Eric Solomon (O Pioneers!!!) and Bryon Lippincott (New Bruises), it plays off the two … Read more
One of the pioneering acts in the glitch/IDM area of music, Tipper, hit us up with yet another record. Right off the bat, I can’t vouch that it has the same kind of punch as say Jettison Mind Hatch or Forward Escape. Although, I think it’s a little unfair to compare it to said records, as Insolito is just an … Read more
So I’m a fan of The Hussy. People who read this site have (hopefully) picked up on that. Well, TIT is a two piece with Bobby Hussy and Shawn Foree of the more popular (but previously unheard by me) Digital Leather. Let’s just say that their 12” is an interesting record, and not what I expected.Where I expected ballsy and … Read more
Burn, the debut full-length from Toronto, Ontario’s Titan, wastes no time in establishing itself as the devastatingly heavy powerhouse that it is. Thunderous drums and relentless guitars introduce the bleak, crushing atmosphere that stands through the entirety of the record on the almost 8-minute long “Feast,” with the chillingly powerful vocals kicking in soon after. With 10 songs spanning almost … Read more
Title Fight is an intriguing band. While 2009’s The Last Thing You Forget caused many to pigeonhole them as another band heavily indebted stylistically to an array of bands from the pop-punk/hardcore genres, their 2010 effort, Shed, saw a significant maturation in sound and songwriting capabilities. After two years of solid touring with notable bands like Touchè Amorè, Title Fight … Read more
Title Fight is the latest pop-punk/melodic hardcore outfit to emerge from the school of Saves the Day/Lifetime. The three songs that comprise this 7" are rooted in the sound of early Saves the Day, but they've also got a bit of a post-hardcore vibe going on as well. Musically I suppose this could be loosely described as pop-punk, but it's … Read more
Pennsylvania natives Title Fight return with a collection of new and old on The Last Thing You Forget. This 7" contains three brand new cuts that build on their melodic hardcore background; a CD version contains a bonus fourth song from the recording session as well as their Kingston 7" and songs from their first release, a split with The … Read more
Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s … Read more
In 2005, former members of Grade and Confine, among others, resurfaced with a new project To the Lions. The band issued up a demo recording of metal-infused hardcore in the vein of 90's greats Unbroken and Integrity. Being just a demo there were the obvious flaws, but two years later the band is back with their debut full-length, Baptism of … Read more
Known primarily as the frontman for Black Moth Super Rainbow, Tobacco (the stage name of electronic musician Thomas Fec) has nonetheless carved out a little niche for himself as a solo artist in the electronic music scene with albums like 2010’s Maniac Meat, which featured contributions by the one and only Beck. Four years later, Tobacco has unveiled Ultima II … Read more
I don't think I have ever felt as polarized about a record as I feel about Axis of Eden. I think a large part of the reason is that I really want to like it, but I just can't overcome its overbearing flaws. Today is the Day is almost inarguably one of metal's most revered and tenured metal acts (and … Read more
Supernova is the first album from Today is the Day, which was originally released in 1993 on Amphetamine Reptile Records. Being out of print for quite sometime, Steve Austin (vocalist, guitarist, main songwriter of Today is the Day and producer of Converge, Lamb of God, and others) is re-releasing this on his own label, which interestingly enough is named from … Read more
Today is the Day provide us with another reissue of an out of print album, their third full-length, Today is the Day. This album is also significant because it is the first one that the group produced on their own at Austin Enterprises (the recording studio of the group's mastermind, Steve Austin). This self-titled effort also marks a significant lineup … Read more
I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies … Read more
Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial amount of praise/coverage for it's less than twenty-minute run time, showing a glimpse of energetic indie pop somewhere between a dance party and a rock out that, despite it's length, made it one of the best releases of 2006. In … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their brilliant live shows. They then released their first album to critical acclaim and became a major Internet buzz band. Tokyo Police Club has returned in 2007 with a short but sweet three song EP that is the follow up to … Read more
Tom Odell's an interesting prospect: The 26-year-old is an Ivor Novello and BRIT award winner with two albums to his name, who mixes piano-laden ballads with affecting pop melodies. His sound is the kind of music that Jools Holland would merrily tap his foot along to after he's three wines deep and yammering on about pianos, so a Tom Odell … Read more
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