One of the latest Sunn 0))) incarnations goes by the name of Pentemple - an unholy alliance between the usual Sunn 0))) boys (Stephen O'Malley and Greg Anderson), ambient artist Oren Ambarchi, and black metal visionaries Attila Csihar and Sin Nanna (AKA Striborg). The Southern Lord website called the limited CD, an improvised live collaboration in Melbourne, Australia, a "blackened … Read more
Art-punk is usually a description that makes me move out of the way. Most of the art-punk I have heard so far just isn’t my cup of tea. Every rule has its exceptions, so here we are; I have listened to In The Midnight Hour dozens of times already. There is two things you need to know about this last … Read more
Earlier this year I reviewed In The Midnight Hour, the second album of Perennial, and I liked it. In fact, I liked it enough to check out their debut album The Symmetry Of Autumn Leaves. A debut that was nice, but pales in comparison with their sophomore record. If you ask me it missed focus in the song-writing and lacked … Read more
In 2010, it was Wavves. In 2012, it was Japandroids. Now, the vaginal Syracuse outfit Perfect Pussy is Pitchfork.com's newest punk band crush. Yes, this is the same popular indie music site whose 2013 Reader’s Poll allowed Kanye West’s Yeezus to be the Most Underrated and Most Overrated Album Of The Year, and yes, these are also the writers who … Read more
I don't have a good history with Periphery. Their debut album, though it had a few good moments, left a very sour taste in my mouth. Given that a lot of the issues I had with it could be chalked up to growing pains of a new band, however, I decided it was only fair to give their second album, … Read more
One of the best indicators of rating how good a band is is if you can feel your heart pounding as you listen to them. Your adrenaline is pumping, you're shouting alongside the music trying to keep up, and all you really want to do is grab onto something and hold on because, for all you know, you're on a … Read more
I remember discovering Persefone, and their, then, newest album, Spiritual Migration. It was an insanely hot summer day in the shitty college dorms I was staying in. I was digging for progressive metal around on Metal Archives and YouTube. Out of nowhere this video for Spiritual Migration pops in the recommendations. It all seemed alluring so I went for it. … Read more
I like to find new bands. One of the challenges as I get older is exactly that. I listen to a lot of music, but a lot of it follows a certain artistic lineage. I want to keep up with what old favorites are doing, but with new groups too. There are always a few labels I can count on … Read more
Perth Express is likely a band that you're unfamiliar with, but that's okay. Prior to being contacted by the label in regards to this discography release, I was totally oblivious to the band's existence. The world is a big place and you just can't be expected to know about every single band. Hailing from Germany, this discography encompasses the band's … Read more
Harrowed and Wealdstone marks the final recordings from German bruisers Perth Express. It's quite a shame that the band decided to call it a day as they had just released their discography in the U.S. last year and followed that up with tours in the States as well as abroad. These nine songs see a continued assault on the ears … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
The Uncanny Valley pulses in high concept waves and the mastermind behind it all, Perturbator (composer James Kent), creates visual magic with naught but a synthesiser and a slick, rain-soaked neon palette. Kent has been making music as his electronic alter-ego since at least 2012, but he started out in black metal and the Frenchman carries over similar aesthetics from … Read more
James Kent, known as Perturbator, has been meticulously constructing whole worlds with his dark synthwave music, one album at a time. His love of cyberpunk concepts has been the driving force for all his releases, and coupled with a strong '80s aesthetic, he has been able to breathe life into these feverish visions of futuristic domains. The Uncanny Valley is … Read more
This is a cool tape sent in by Mr. Food Fortunata, the fine gentleman behind the always enjoyable and reliable Saginaw, MI-based publication Ear of Corn fanzine. A lot of these tracks—and there are a whopping 21 of them, although mostly very short—remind me of early Mudhoney, something for which I am never disappointed. Some of the odder-sounding stuff on … Read more
Stephen Brodsky is a shape-shifter. Throughout his musical career, the oftentimes-enigmatic frontman has been the main songwriting force behind numerous projects of all realms of music. He's tackled everything from metal and hardcore to acoustic and indie with Cave In, Kid Kilowatt, New Idea Society, The Octave Museum, and even his own solo recordings. Pet Genius is the latest project … Read more
Aptly-titled, Monumental brings together a legendary producer and two of the underground’s most revered MCs: Pete Rock—half of the duo (along with CL Smooth) responsible for early ‘90s classic Mecca and the Soul Brother—has been the monster behind the boards of your favorite rapper’s favorite rapper for a long-ass time; and Boot Camp Click members Tek and Steele— known collectively … Read more
You’ve heard of no depression music? I’m coining a new term here: depression punk.Opening song “Loud and Ugly” might be a good description of vocalist Jesse Thorson’s approach in general. His songwriting has always been outspoken and focused on personal flaws, pointing to the uglier elements in life. I always referred to the Pretty Boy Thorson bands as essentially country … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here: