For this Cleveland math-metal band, this release has been a long time coming. It was several years ago that I heard their first demo; the contained music was raw and frantic, yet it showed great promise. Now, seven years later, I am listening to the band's debut full-length, well sort of. Throughout their time as a band they have recorded … Read more
Something about this guitar tone always picks me up. Add in the raspy vocals and it really only takes me a few seconds into this record to know that Distants are my kind of band. Honestly, I’ve seen them before too, so I already knew that, but that was just a half set at The Fest, not a deep dive … Read more
Am I going to be able to review this record without comparing Ditches to Marked Men? Clearly not, but I made it 14 words. This debut album from Stockholm’s Ditches bears a lot of similarity to that band. Given how good that band was, I’m not sure that’s a knock against them. Besides the sonic similarities, the record was also … Read more
The Drunk Dial series is a 7” concept where the label hooks up with a band, gets them inebriated, and records. Side A is an original, Side B is a cover. I guess the point is a spontaneous, live feel with a glimpse into influences. This time around we get Ditches, a power-pop/garage trio with a great catalog thus far. … Read more
A few days ago I found out that I had Bell's Palsy - the muscles that control the right side of my face are so weak I cannot smile with the right side of my mouth or close my right eye with ease. I will essentially be without the control of the right side of my face for weeks. The … Read more
Division Day are a fairly new band from Los Angeles and they are going to turn some heads with their debut full-length, Beartrap Island. The four-piece band plays a delicate mix of indie and post-rock music. The songs on Beartrap Island fall someplace between the soft indie rock numbers that I would liken to Sunny Day Real Estate, the post-rock … Read more
Despite the abrasive nature of U.K. garage, Dizzee Rascal has performed the extraordinary task of achieving eminence in various circles of British music, from his immediate contemporaries in grime and hip-hop to the less approximate in metal and indie. The Arctic Monkeys have gotten in on some mutually reciprocal sampling, and Dizzee was an unexpected highlight of 2004's Carling Festival; … Read more
Universally regarded as one of the most important figures in the world of instrumental hip hop and turntablism after having gained massive recognition for 1995’s Entroducing....., DJ Shadow (a.k.a. Josh Davis) seems in recent years to have been operating more in the, well, shadows of an electronic music scene that’s increasingly been focused on the newest and shiniest acts. Released … Read more
Spending much of the time since 2002's ENDtroducing with his producing hat on, DJ Shadow has finally returned to our stereos with The Outsider. A return that sees him take a massive shift in style. Crass rapping styles, questionable lyrical content, and some gunshots filtering through the background adds just too much of a touch of Tim Westwood that is … Read more
Do Make Say Think have left their stamp on the post-rock scene, starting from their debut, self-titled album, released in 1998, to the excellent Other Truths in 2009. It was with Other Truths that the band decided to take a break, never officially breaking up, but rather the individual members taking some time to pursue different projects. Thankfully, this came … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no means difficult, but it can definitely test a listener's musical patience. Canadian cohorts Do Make Say Think have been writing instrumental music since the mid 90's. Akin to label-mates Godspeed You! Black Emperor, they write extremely cohesive, powerful and moving … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, albeit consciously, delineated from its richer, more substantive origins to assume the role of pleasant background music, antiseptically reliable but hopelessly predictable. Tortoise's feral meanderings and Mogwai's bulky, aggressive overtones have been replaced by Explosions in the Sky's brand of … Read more
The word quintessence derives from the Latin “quintus” and the english “essence,” translated roughly to the fifth essence. The reason for the number appearing in this instance comes from medieval philosophy, where quintessence was considered to be the fifth addition to the four classical elements (earth, wind, fire and water,) one that exists in the heavenly bodies, and is inherent, … Read more
You ever get lost while driving in the woods at night? I grew up in Wisconsin and this happened to me often before I got a GPS. It will spook you good if you're not careful. The roads stretch into the night and disappear into the surrounding landscape. The roads become more narrow the longer you drive. Low hanging branches … Read more
It always takes a while for Dodheimsgard (DHG) to release a new album, but it is also always worth the wait. The experimental alchemists from Norway started off their career back in the mid ‘90s when the second wave of black metal bands was starting to come together. The core of the band back then with the release of their … Read more
After a couple of years of reviewing I’ve got a love-hate relation with genre definitions. I love ‘em because it makes my job so much easier. Just should a genre name and you, my dear reader, should have an idea about the sound of the record in question and if this review is worth your time. It makes my job … Read more
2017 saw the release of Dödsrits' self titled debut album. I was impressed by the quality that I discovered on that album. Had I found it earlier it would have made my yearlist, no doubt. It is also an album with staying value. I still come back to it on a regular basis. I could not be happier to hear … Read more
The first song on this album is named “Nirvana.” It’s a fitting nod to an obvious influence, though a Mudhoney reference might honestly be more apt. Going into this record, based solely on the lead single (“Nuff Said), I was expecting more of a brash, garage-punk sound with Dog Date. My first impressions weren’t totally off base, but add a … Read more
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