Actors & Actresses
Arrows
The Mylene Sheath (2009)
There are certain labels as a music fan that I follow wholeheartedly. I could say The Mylene Sheath is one of these labels for me. They have a strong reputation for putting out spacey post-rock with a flair for nice packaging. So I was kind of excited to be able to check out one of the labels most recent signings. … Read more
Actors & Actresses
We Love Our Enemy EP
The Mylene Sheath (2011)
Reissues tend to be a funny thing. Sometimes they are done in good taste. To help fans get a hold of an album that went out of print or give them a chance to hear the progression that the band went through. This reissue is done simply for an early EP by this band giving us a look at the … Read more
Æges
The Bridge
The Mylene Sheath (2012)
Los Angeles band Æges are a beautiful combination consisting of equal parts post-hardcore and sludge metal, and you can plainly hear this on their 2012 debut The Bridge. It combines weighty and languid guitar churning with fast-paced and frenetic songwriting to create a stunningly vivid result.You can prominently hear the hardcore facet of Æges's sound on the majority of their … Read more
Beware Of Safety
Leaves/Scars
The Mylene Sheath (2011)
Beware Of Safety are a Post-Rock band. Sounds simple and plain enough. As they do reside in a genre known for aping their forefathers in a near religious way does little for any band that chooses this route. Many of these bands rely on what the first 3 Mogwai albums taught them. Start calm, build with some heavy parts, climax … Read more
Constants
The Foundation, The Machine, The Ascension
The Mylene Sheath (2009)
Boston-based shoe-gazing space-rockers Constants return with their second full-length and follow-up to 2006's The Murder of Tom Fitzgerril EP. With The Foundation, The Machine, The Ascension Constants continues to make waves in the rock world as they showcase their talent towards writing intricate, dynamic, and ominous rock music. The Foundation, The Machine, The Ascension is ultimately broken up into three … Read more
Gifts From Enola
From Fathoms
The Mylene Sheath (2009)
Post-rock has predictably reached its stage of full saturation, becoming the self-loathing cliché that wasn't hard to see coming. Bands are unfairly and mockingly compared to Explosions in the Sky, Mogwai, and This Will Destroy You, whose stranglehold over the genre have made them a benchmark for those that follow suit and a constant reminder of the jadedness of the … Read more
Gifts From Enola
Self Titled
The Mylene Sheath (2011)
Gifts From Enola should be fairly recognizable to anyone into the post rock scene at this point. The Virginia based band have been putting out music and logging road time for the better part of 6 years at this point. The band have worked hard to progress their dynamics-laden post rock sound. So it comes as little surprise that after … Read more
Herra Terra
Quiet Geist
The Mylene Sheath (2010)
The Duo of Herra Terra seemed to come out of nowhere when their signing was announced by The Mylene Sheath. Seemingly no prior releases could be found and just the usual myspace was available to see online. What was noted early on is that Herra Terra were going to be the odd band out on the label. Known generally for … Read more
Lavinia
There Is Light Between Us
The Mylene Sheath (2011)
Lavinia are a post rock super group of sorts. being comprised of members of more than a couple Mylene Sheath bands including Caspian and Eksi Ekso. So there are certain expectations most listeners will be placing on this release. The band doesn't stray too far from the post rock foundation built with their full time bands. Guitars shimmer and build … Read more
You May Die in the Desert
Bears in the Yukon
The Mylene Sheath (2008)
You May Die in the Desert is a three-piece, self-described as an "uplifting jazzy trio [that] combines chaotic guitar riffs with atmospheric layover techniques." With Bears in the Yukon, the group wastes no time with introductions. Within the opening twenty seconds, the opener's melody is in full swing, showing you they are not the type of instrumental act that needs … Read more
