Thanks to Cursive, every band on the planet has to try to out-honest each other in their lyrics. Call it the fallout of their neutron bomb of a record, if you will, but the lasting effects of their gut-wrenching sincerity will be felt for years. The most interesting thing to watch is how bands in the indie/emo/whatever genre that existed … Read more
Brandtson has always been a guilty pleasure type band. I have the Letterbox and Dial In Sounds CDs and listen to them from time to time. When I got the promo for this ep, I checked it out almost immediately. This cd was like a videogame that is alright but has so much shit to unlock it just gets tedious. … Read more
Part of me says it's not Brandtson's fault. They formed way back in 1996, and as such, are quite possibly the last of these so-called "emo" bands left that hasn't broken up, gotten picked up by a major, or enjoyed some moderate degree of success. But part of me says fault or not, there's no excuse for a record being … Read more
From what I can tell, Dartz! is the U.K.'s shot at Q and Not U. However, their British accents, along with more of a Bloc Party feel, lessen the gap of similarity between the two groups. Some of the guitar work on This Is My Ship, the Teesside trio's debut, also reminds me of a lazy Minus the Bear, using … Read more
Before I even really get into this review, I just need to let everyone out there in Scene Point Blank-land know that this album actually contains the lyric "You are speed bump in everyone's life." Not only is this line in the chorus which makes it repeated a few times, it's also the opening track under the same name. Speed … Read more
Kid You Not has some pretty clear influences behind their melodic pop-punk sound. With semi-coarse vocals that lead to big sing-along choruses, Iron Chic and Red City Radio shine through. It’s not really shining music though. These are some cynical songs that wallow in an unpleasant world.As a whole, this is a solid record with some flaws. The overall sound … Read more
I haven't paid much attention to anything that Deep Elm has put out since Emo Diaries Volume #5. I always thought this label's marketing of the term "emo" was cheeky as they pawned off any band that had black-rimmed glasses as the next poster boys for shy teenage girls to adorn their room with. Then I heard a buzz floating … Read more
A post-rock review is always a challenge. If you think it’s tough to capture the attention of an audience and carry them on your journey, musically, for 45 minutes without lyrics or choruses then try writing about that action. The successes and failures of the genre come in the ebb and flow, the storytelling, atmosphere, and ability to pull away … Read more
Let me get this out in the open right off the bat; I wanted to hear this because the band's name is similar to a great album by The Casket Lottery, and there is no shame in saying that at all. However, considering the recent track record of their record label (Deep Elm), there is a slight tinge of worry … Read more
Every once in awhile you try out an album and it becomes a happy accident. These albums become special to you because you just took a chance and found something special. I was hoping for this when I picked this from the promo pile. I had high hopes as this was compared to Ryan Adams primarily. While this comparison fits … Read more
The press blurb that accompanies Texas-based indie folk duo Papermoons' sophomore album No Love claims that "the idea that you can say a whole lot more without screaming or shouting" is solidified in this LP. No Love is 10 tracks of smouldering, cleverly composed melodies with occasional gushes of shimmering electric guitars. Written during the five years after Papermoons' debut … Read more
Bad News from the Bar serves as a soundtrack for a screenplay that Ride Your Bike member Mike Getches wrote. In the supposed movie which I shall entitle Emo Schlock #24564, he tells the story of childhood friends Lillian and Elliot drifting apart due to Elliot's big city dreams. Apparently they find each other again through police interrogators, druggie neighbors, … Read more
Deep Elm has, over the past few years, been relying more on their internet presence rather than being a label that releases records in a physical manner. While this is not a bad thing it is kinda sad. This new dynamic means that less people will be hearing this EP. Ryan Mallot is best known as the frontman of alt … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man Go, and that was enough to hook and reel me in. While both share Carly Comando's soothing vocals and keys, each one is on the opposite side of the indie spectrum. The Keystone Kids verges more on the electro-pop side … Read more
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