For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers to life’s big questions: meaty topics such as “If Anyone’s Got the Balls” and just who is “Fuckin’ with My Head.” Or, in other words, his solo work may be a separate project from Supersuckers, but the content doesn’t stray … Read more
Making a career in the arts is hard. The job description lands somewhere between self-expression and entertainment and there isn’t a sure fire way to know whether or not what you’re creating is going to be profitable until well after all the art is done and out in the world for public consumption. Complicating things further is the fact that … Read more
Murder by Death are back with their sixth studio album, and it's their moodiest album yet. It's a stark contrast to their last record, Good Morning, Magpie--returning to, while exploring, more layers of atmospheric tones. With each album(excluding Red of Tooth...), I always found myself needing to give them multiple rounds to fully appreciate what I was listening to--Bitter Drink, … Read more
Not many bands can make it eight albums into their career without a single dud. Murder by Death's mainstays, Adam Turla and Sarah Balliet, have spent nearly 2 decades honing their skills as songwriters, and they’ve let their growth lead us out into Space. The Other Shore has Turla returning to more of a long form narrative again. However, it … Read more
There’s a lot to like on Forever, the third album from Vandoliers. They play a hybrid country-punk that’s a bit too upbeat for No Depression and too gritty for traditional country, while pulling influence from a number of Texas musical styles along the way. It’s a six-piece group, complete with guitar, drum, and bass, but also fiddle, brass, and more. … Read more
Wayne “The Train” Hancock doesn’t play music to pump you up for a Saturday night on the town. Instead, Hancock’s old-school flavored country is more suited for sitting in a dim bar and lamenting your sorrows, putting the past away and, eventually, moving on. I also discovered on my first listen that it’s quite suitable for -10 degrees Fahrenheit.The album … Read more
When William Elliott Whitmore signed to Bloodshot, I thought it was a natural fit. I like Whitmore; I like the label. Win/win. But I also wondered how an artist I think of as more on the folk/bluegrass side fit with a label I think of as Americana/alt-country. Similar, for sure, but not quite there. These are silly semantics to worry … Read more
William Elliott Whitmore’s raspy folk pulls from diverse influences that are on full display over the span of 10 covers on Kilonova that don’t really sound like covers, putting his timeless and heartfelt stamp on songs originally recorded by Bad Religion, Magnetic Fields, Johnny Cash, and more. It’s an impressive feat, considering the nature of the cover song combined with … Read more
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